I stab my brother, I stab you for a woman

Aida 2021-10-20 17:24:43

Drinking tea at the top of the Sphinx leisurely, playing with sharks in the Atlantic Ocean, looking out from below the hands of Big Ben... The beginning of the film seems to describe a magical dream—a common daydream to get and jump at will— —Even the power to move is saved.

(Some bad values ​​are spread in the film. I don’t know if the screenwriter deliberately catered to this set of ideas, or inadvertently expressed it. Anyway, I don’t like it.)

If the 15-year-old ran away from home abusing his superpowers , "Take money" from the bank to make a living, it can be considered sympathetic and forgivable. When the 24-year-old was living a prosperous life with stolen money, picking up girls, fighting and doing everything, it was in conflict with universal values.

In the ancient Colosseum in Rome, you have to break through one door after another, like a one-time extreme conflict display: you have to touch the taboo of being "not allowed by the public." Subconsciously, it's the pride of being "different". Just like all the children in the youth rebellious period, to challenge the bottom line of not being allowed-"There is nothing terrible behind those doors"-until they hit their heads and bloodshed, they understand that the so-called non-allowing still makes sense. of. You can’t smoke, you can’t make a boyfriend too early, you can’t stay up at night... You always have to hit the south wall to understand. This is how young people grow up. I heard that this movie will have a trilogy. I don’t know if the protagonist will be more mature and stable in the next few episodes, learn to respect the universal principles of society, and restrain and restrain his behavior.

The section that rescued Miya made me sigh, "I stab my brother, and I stab you for the woman." Obviously, at first, he wanted to follow his companion, but he was reckless and reckless during the period, dragging his companion into danger (bringing the "Paladin" into the companion's nest). When my companion and the white-haired black man were fighting life and death in another space, there was still free time to kiss me and me, and gave several close-ups of sad faces. I was so anxious that I really wanted to make a big mouth.

The so-called hurt friends like this. Love is precious, but the balance of friendship can't be too sorry for friends. Even if there is no friendship, you can't be indifferent if you drag others into danger.

The most ridiculous thing is that when tied up like a spider, you can still struggle to say "I am different from them, I am different." There is an echo at the end: this is a "knowledgeable and motivated" young man who can go to the library. When the whole small house soaked in water jumped to the library, the servant smiled triumphantly, "I said I was different." How can you distinguish yourself if you really don't see the Bubble Library? This logic and drinking coffee, entering Kempinski, reading English newspapers, talking and holding a few foreign words, thinks that it’s unique and superb.

Although the protagonist teenager is self-centered, after all, he still has the qualities that American heroes pay attention to: kindness, persistence, sincerity, and not lying. The movie also gave an American-style happy ending: if you ask for love to get love, the mother in the dark line also said that she has always loved him. I hope that the real teenagers who smashed toward the south wall can have such good luck. Amen.

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Extended Reading
  • Vance 2022-04-23 07:01:21

    I was upset that the woman named Millie was talking so much at the critical moment and was wordy.

  • Archibald 2022-03-23 09:01:21

    The feeling in front shines brightly. The later shots are too commercial. And the plot is not rigorous

Jumper quotes

  • Griffin: You can't just keep following me.

    David Rice: Actually, I'm the only one who *can* keep following you.

  • Roland: You always go bad.

    David Rice: Maybe I'm different.

    Roland: You're not different.

    Griffin: I'm different, boo!