This "Gone with the Wind" is the only movie that has always been on my hard drive. My favorite back then was watching Scarlett arguing with Brad. This is a movie set in war. At the same time, individualism and love are portrayed to the point where they are in the war. I don't know how many times I have watched it in the past seven years. Scarlett and Brad are destined to live together, just as Ashley cannot choose a woman other than Melanie. The scene where Brad saw Scarlett for the first time was when Scarlett confessed to Ashley, and after the attempted confession, he slapped Ashley in the face. At that time, Brad was already attracted by Scarlett. She is vivid, beautiful, selfish, and proud, and has the same background as him. That was Scarlett before being poisoned by the war. Because of the traditional religious beliefs and family upbringing of the upper class, her character Satan is still in a dormant state, everyone can spoil her and deliberately ignore her arrogance, because she is so beautiful and so likable. But the war came. Probably only in some extreme environments can human nature be tempted to reveal more of its true colors. In fact, she has never been a lady of high society. She doesn’t believe in and values religion so much. She secretly opens her eyes when praying; she teases among the noble men; when the war broke out and supplies were extremely scarce, she smashed the mud with her hands and provoked the life of a family; she shot Eliminate the thief who broke into the house. The upper-class Jiao ladies are not like this. They will use a handkerchief with a fragrant smell to cover their mouths opened because of panic. Even if the war breaks out, their panic and helplessness will surpass Scarlett's brutal growth. Therefore, Scarlett's life essence is probably separated from the superficial and low-level tastes of the upper class. I remember that when Brad ridiculed Scarlett in front of the wood processing factory, she said dismissively that she had a gun and was not afraid of anything. Reid laughed mockingly, but said to her back: What a great woman . Therefore, I can't help thinking, if there was no such war, what would Scarlett be Scarlett? Was it the proud princess who wandered among the boys at the ball? Or the little woman who can gnash her teeth at life but is unstoppable? Or a mother with a cute child like Bonnie? There is no way to verify so many hypotheses, because the war inevitably happened and Scarlett inevitably became the later Scarlett. This is simply a kind of fate, a sense of fate that a person bows down to the great age. . Rhett said before leaving: We may be happy with Bonnie. I will treat her as you, a little girl, before the war and poverty made you ruthless. she Very like you, and I spoiled her, just like I want to spoil you. In fact, the wheels of the times rarely have a specific impact on someone. After all, after the war, we still have to live and return to mediocrity. But that was Scarlett who had experienced too much poverty and fear. In the end, survival became her only goal. She is fearless, she is always born again, and her will and ability to survive has been brought to the extreme by her. In fact, this is not necessarily the worst state. The worst is that she can’t figure out her own heart. She only seeks for survival and wealth. When all this is satisfied, she is still chasing a childhood love that is not a love, and uses her wayward and stubborn way. , Of course it will sting Reid's heart. Her stubbornness is what Reid loves, and if this stubbornness is used on Reid, it can be considered evenly matched. However, she pretends to love another man paranoidly. How tough is this stubbornness and hurts Reid. How deep. However, Rhett really loves her, so, all of this, he can only pay for it himself. A man like Rhett is a natural male, a male with male hormones all over his body. He regards decadent moral values as shit, clever, wise, and even a little bit cunning. He is rich, proficient in the world, and cynical and dedicated to war. He is a real temperament that lives magnanimously and even a little presumptuously, and he hits it off with Scarlett. He is so powerful that he is a little annoyed about not getting Scarlett’s heart. I don’t know what can make him feel inferior. Even if he is not getting Scarlett’s heart, he is not sad. , But annoyed. I think that girls who have seen "Gone with the Wind" in their adolescence must look like Prince Charming in their hearts. He is our first and best imagination of love. Such a person, he is looking for the same kind. He can get drunk and buy spring with Bell, and he can talk to Melanie, even what he has never talked about with anyone. However, his partner can only be Scarlett. Human emotions are divided into many kinds, so the objects projected on them can be divided into many kinds. Rhett needs physical passion and release, so he chooses to sleep with Bell, which is a level of his being a pure male; at the same time, he needs a kind of peace and comfort in the soul, and even a kind of warmth and comfort from the depths of the soul. Desire and dependence on safety, he chose to be his confidant with Melanie, and regarded her as his most respected woman. This was a level of the little boy in his body who had not grown up. However, these levels are not the most important level for him as a mature middle-aged man. His emotions projected on Scarlett reflect his work The temperament that a complete man desires. He needs the unity of lively love and sex. At the same time, on the level of soul, they are similar to a large extent, which saves a lot of helplessness in communication and has a lot of tacit understanding, although most of this tacit understanding will be affected. Transformed into bickering and even ridicule each other and hurt each other. However, each of them seems to have found their own sense of existence only in this mutual ridicule and mutual harm. Only then did I see myself more deeply. Probably the sense of existence is too erratic, and we can only confirm it in extreme environments. Just like in "The Solitude of Prime Numbers", the grown-up male protagonist often makes one or two holes in his body. Only by using this painful method can he gain the security of his existence. If a person can make himself feel the sense of existence, and in the interaction with the other party, continue to watch a more three-dimensional self, then this person is probably the destined partner, just like Rhett while petting Scarlett and She bickered and satirized her, while Scarlett enjoyed the tenderness that Rhett gave in the bed while stubbornly thinking that she didn't love him. At this time, they are the richest, most vivid and lively ones. Scarlett treats Ashley like a fragile bubble, and Brad treats Melanie like an Angel, but these are not true and comprehensive. They are the real kind. The sequel was not filmed again, I am pleased. Scarlett must be able to get Brad's departure. Otherwise, how could they be called the same kind? There is too much gossip behind this film, I don't want to talk about it, thank you for leaving such a classic film in the history of film. While stubbornly thinking that he didn't love him. At this time, they are the richest, most vivid and lively ones. Scarlett treats Ashley like a fragile bubble, and Brad treats Melanie like an Angel, but these are not true and comprehensive. They are the real kind. The sequel was not filmed again, I am pleased. Scarlett must have a way to get Brad's departure. Otherwise, how could they be called the same kind? There is too much gossip behind this film, I don't want to talk about it, thank you for leaving such a classic film in the history of film. While stubbornly thinking that he didn't love him. At this time, they are the richest, most vivid and lively ones. Scarlett treats Ashley like a fragile bubble, and Brad treats Melanie like an Angel, but these are not true and comprehensive. They are the real kind. The sequel was not filmed again, I am pleased. Scarlett must be able to get Brad's departure. Otherwise, how could they be called the same kind? There is too much gossip behind this film, I don't want to talk about it, thank you for leaving such a classic film in the history of film.
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