I like the appearance of the heroine, the thin face, the long figure, there is no lack of wildness in the charm, and there is a kind of focused beauty when repairing the antique furniture.
The color of the whole film is relatively gorgeous, especially the appearance of the old lady, with heavy colors and strong ink, and full of comedy energy. At the beginning of the film, Luis's love story when he was in his twenties is very interesting, punk head, rock music, and family summit of seven. The most impressive was the scene when Luis broke up with his girlfriend: the picture was grayed out, and Luis tried to keep the girlfriend who had left, and pulled a purple silk scarf from her body. This is a slow motion shot. The purple immediately emerges from the gray background, and the silk scarf has an elegant and lingering texture, which brings out the melancholy and unwillingness of Luis at that time. Such a piece of Xiaoyu is a great appetizer for a comedy, and it dramatically transitions to Luis becoming a perfume expert, and it is a small foreshadowing for Luis to make perfume for Emma.
ps At that time, the audience response was very enthusiastic, and many audiences asked the director after the screening. Someone mentioned "Green Card" and "Walk in the Clouds" and asked the director what his new intentions were.
See it for yourself.
What I want to say is: the three films are all love stories of fake mandarin ducks becoming real couples, but "Green Card" and "Walking in the Clouds" have a certain social and family foundation. The self-proclaimed dad has an explanation, but the premise of the story "Prête-moi ta main" is less tenable. Even in today's Shanghai, it is rare for the three aunts and six aunts to force marriage together, let alone in France. So the film is a little bit like the director invited "7femmes" and everyone together made a comedy.
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