I am not a fan of British English, and I have no interest in costume dramas. The epidemic made me so boring that I watched this one.
In the previous episodes, Liszt’s feelings on the opposite side, and the hastily asking for a commitment to the feelings, I looked at the phone face of an old subway man. Why she can fascinate sentient beings, why she can love people everywhere, and why she presses Miss walker step by step at the beginning of the relationship.
As the plot deepens, I gradually feel that this drama is pretty good-looking, and the last two episodes are simply high-powered. Finally, I want to understand that everyone's love for Liszt comes from her continuous and sincere giving. She devotes all her love to every love, and she will definitely do her best to help the other person in need. In addition, she made Miss Walker a better person in her relationship.
So when I knew they were about to meet again, the throbbing in my heart was more turbulent than when I fell in love. On the mine, facing the prairie, when Miss Walker walked behind Liszt, I almost screamed at the screen.
An experience for a long time, moved purely for love. Different from the sadness and regret in the ending of be, or resentment of social injustice and gender inequality, I just want to cry for this sincere love. Two people have the same strong feeling for each other. In the end, crossing so many episodes of abuse, overcoming so much social and family pressure, carrying so many anxious uncertainties, and finally coming together on both sides of the strait, it is simply a fairy love.
Cry, I want to have it too!
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