Gravetou Bengdi falls in love with you

Enos 2022-01-24 08:04:13

I have always felt that Ou Rong, the shameless old scumbag, knows the psychology of other shameless old scumbags, and at the same time has a particularly healthy and bright evil taste. His evil taste is not tasteless or sensational. It's not like the cold and cruel psychology of many European directors, especially French directors, which is unreasonable and unreasonable, but joyful and positive. For example, he made ≪Ba Mi Tu≫. That one seems to say that she put together actresses who had robbed men in their youth and are now at the Queen Mother level to shoot rival scenes, because we know that the crowd, especially rabbits, like to see female stars tear up. Force, and the eight women from the old to the young in that scene are all Bitches. For example, he saw a scene about a woman with mental illness one by one he saw two years ago. It seems to be called "Double-faced Lover"? It looked like a serious and gloomy suspenseful scene, and then the female one put on a strap-on and pressed the male one to the wall and got fucked from behind. It is said that when this scene appeared slowly on the screen, the people in Cannes laughed breathlessly in the theater and whistled and applauded.

This ≪85 Midsummer≫ also has something similar to Ou Rong’s messenger: two sweet and beautiful little fresh ones with a sea rising and moon-like ass on the ground, knowing that you old ghosts are on the ground. Scratching his head and waiting to see the other's ass. Gone. Blocked from start to finish and didn't show it. Waiting eagerly until the two entered the bedroom to go to bed, the camera followed to the door of the room and the door closed. There was a big keyhole on the door, and when the camera tried to get close to the hole to snoop, Xiao Ling’s voice-over gradually rose: I know you are all curious about what happened behind this door that night-let me tell you that night The most beautiful and wonderful thing I have so far happened! Gone. Then it was the next morning.

The last time I saw this kind of nasty and beautiful story that made people blush and heartbeat, was when I saw Yang Fan's "Jiyuantai No.7" at the Toronto Film Festival last year. And that one is still a cartoon.

This French version of Midsummer Lightyear doesn't really matter if the drama is not spoiled, because when it comes to the plot, it is a very simple two hundred and five youth romance: the boy falls in love with the boy. The boys love it. Boys don’t love boys anymore. The boy died. The boy who was thrown off went to the grave of the boy who was throwing a ball and jumped.

I shit you not. It's really the grave head that went to the dead ball. Seeing that beautiful little fresh head wearing a Walkman, awkwardly and awkwardly stretched out arms and kicks and danced stupidly on the summer lover’s grave, I felt sympathy and regret in my heart, but I couldn’t help but convulsions on my face. Bursts of laughter. After all, what kind of stupid thing did you never do when you were young? Thankfully, this story was not filmed by other gloomy and serious fa4-country directors. Otherwise, not only would there be no graveyard, but also that one would slaughter the other in anger if it was less than one-third, and then slaughtered the other. Buried in a flowerpot.

That's really a vulgar story. But then again, why the hell did you tell me to listen to Rod Stewart's songs after you shoot like this? ! For many years to come, I promise that every time the desolate song of "I am sailing... I am flying..." sounds, not only will I not be moved forever with tears in my eyes, but I will also burst into a wild laugh, because of what emerges in front of me. The scene is a beautiful two-hundred-and-five bunny with a cocked buttocks madly jumping in the grave.

When the subtitles came up, I told Miss Luo that I like this picture which is far better than the glamorous ≪CMBYN/Lao Niang with your last name≫. To be honest, that one shot was much more refined than Ou Rong's, but it has already divided my class composition out of the audience, which makes me feel a little unworthy to admire their exquisite and high-level love. The child in there is actually about the same age as the one in ≪Summer≫. It was when a boy next door grew up and became a lover, but the child in ≪with your last name≫ lived in the beautiful Italian summer resort. There is a maid and nanny at home, and his parents are incredibly enlightened Kochis. On weekdays, they are surrounded by pianos, classical music scores, philosophical thinking, and Mediterranean Greek antiques. May I ask which of you from the 1980s and beyond has experienced these in the process of growing up! I didn’t grow up wearing open crotch trousers and gnawing on their heads and grabbing glass marbles from others, or the boy and girl I saw when I was in high school and college, and I slipped out on the playground at night for self-study. ? Who coaxed who? This is.

So I have empathy with the little boy who is doing summer work in this midsummer. Because he reminds me of how ridiculously silly I was back then.

Did you lie to you? This play is adapted from a novel by Random House. The original is really called "Grave Tou Beng Di"

Thank you, Ou Rong, the wicked old pervert. TIFF 2020. The 5th session of the remote theater on September 15.

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Extended Reading
  • Eloy 2022-03-17 09:01:08

    My own private Idaho-like characters + The talented Mr. Ripley-style summer by the sea + French youth under the framework of Call me by your name, perhaps because it is adapted from the youth literature of 82 years, and many common summer youth movie elements (playground , Motorcycle, dancing, understanding female companion), but Alex is so cute, the first half comes with sweets. The plot surrounding death in the second half enriches a youth love story. I like the comedy elements in it (Mama David who is self-familiar, going to the morgue in a dress, Uncle Jackie), but the thinking about death behind the story and the depiction of emotionally driven impulsive behavior are extremely real. Similar will prefer the 18 year old Plaire, aimer et courir vite. (I really can’t love Rod Stewart’s Sailing)

  • Maud 2022-03-19 09:01:09

    Giving a pass is already my greatest kindness