The layout is so meticulous that the people of later generations are worried with the completion of the tower... It analyzes the various events and psychology on the eve of the eviction.
In the early part of the story, Tony got a personal class reversal in the anti-Semitic chaos for profit instigation. However, kuchar and the Jewish gang brought benefits and conscience, and contributed to a poor composite relationship between the poor craftsman and the deaf old woman. The old man's deafness tried tony unilaterally, turning his loose determination into a rhetorical question: Am I fucking an Aryan? Then... the crowbars of the two sides hesitated and acted together to exert influence, and the dilemma was extended by a single case.
So the self-talk is established in the dual contradiction (the attitude towards fascism visibly transitions from contempt to fear, and the apparent power of the two is therefore also changing). Monologues are embedded in wandering and non-conversational dialogues, or to some extent, everyone is talking to themselves... It's just a chain of two voices in tony. The notable scene is the assembly under the Tower of Babel in the latter part of the story-the tony in the shop-the old man in the house, multiple voices echoing in the shop, intersecting the replies to memories (introduction or retelling) and external passwords. Resistance is to wave the wine bottle across the doors and windows; after going back and forth, the fragile bottom line has not been delivered in the end, and the tragedy happened in the doors and windows.
Foreshadowing is regarded as the rebellious force of common sense and the interpersonal ecology of the small town, but when it is talked about as "resistance is everyday", the original small world and small life have been imprisoned.
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