relieve pain, just like a desperate journey. I will break with the world in a cool manner, indulge myself in the sorrows and joys of the scenery along the way, and
wait until the maid’s knees and slaves shake hands. When I say Huan, I will still be prosperous because of the hearty mentality of having escaped.
I don’t think it’s not the cowardly people relying on movies to numb and escape, but the brave people who don’t give up the right to dream.
When I ask hip , How to arrange in the future, she told me surely, it was a movie. I admire you.
I don’t have that talent or sense of accomplishment.
What’s more, I don’t know what corner of my life can comfort my tired and hungry soul when my favorite becomes a career.
Maybe it’s the world being me. It is too embarrassing to imagine, so I want to take care of some lonely but quiet islands in my heart so that they will never be polluted.
In the movie, you can find dreams that you can't pursue.
When I am lonely, it is love; shaking my faith is war; so when I faintly feel that my youth is about to end, what I miss is the growth story
of my youth. The youth of mainland China is very depressing.
Last year's highly acclaimed [The Life of the Disgusted Matsuko] and the earlier [Shimozu Monogatari] were both works by Nakajima Tetsuya. In my movie classification, it is under the name of "Devil no Fairy Tale", which belongs to the upper-level favorite collection grade.
Watching these two movies, I can’t help but imagine
what a lovely man the director looks like . He
can tell the story of a woman’s heart
in such a sharp and caring tone. At this age,
my heart can still be filled with such magnificence. The colors and fantasy imagination, the
unrestrained attempt in the narrative form, the humorous and exquisite detailed design, the unremarkable landscapes lead us to think about those cruel topics that cannot be escaped
.
But after seeing his picture, I collapsed.
I remembered the
witch said in [Xia Wife Story] , I really shouldn’t judge people by their appearance.
Taozi said, "It's okay, people are inherently sensory animals."
Tetsuya I thank you for your tolerance
peaches childhood is about everything calm numb to almost cold-blooded man, obsessed with high school Rococo era, living in their own imaginary world, rely on the law to develop their own live and do their own dream every day,
no Friends don’t need friends either, or they don’t need friends because they don’t have friends.
The witch is a witch who defeats weakness and saves her soul by joining a racing caravan.
The growth story of two girls with very different personalities entangled together is a way I like very much. I
also wrote a script like this. It is probably that I can't let go of a certain complex,
and people who stand on two extremes will never be the same. See, there will be no stories when we meet. The years are wonderful and unforgettable because of the collision with each other. The
important thing is that such a premise, the form of life can be two extremes, but there must be a similarity in the soul, that is, the witch and the maiden. Taozi's pursuit of spiritual freedom.
I really like Tsuchiya Anna’s performance in the movie. I always feel that Japanese is good, because when the angry Japanese woman
gets serious, her tone is full of power, her pronunciation is loud, and the flames slowly burning in her eyes are unquestionably inviolable. Decided
that Japanese at this time is really sexy. It is the most vivid way
to vent angry emotions and power. Use comics to create characters, incorporate gorgeous Rococo elements to attract attention, animations and special effects are very beautiful, and there will be many details that will be liked.
When the film climaxed the family law scene, Momoko turned things around. When the two of them were sitting behind the maiden and left in the car, the close-up of the
hand of the maiden starting the engine . The nail polish on the right middle finger was wiped off, suggesting the relationship between the two at this time. , More than just friendship...
Very subtle and warm handling with a
knowing smile
Directors
who have always disliked movies that are too serious and like to tell stories with a fairy tale mentality are
like children who have never lost their innocence. They are full of curiosity and take care of a more vulnerable audience like me.
[Pine nuts] Not much to say, it is worth seeing, especially the girl who loves to dream.
Although the title is the disgusting pine nut, what I think the director wants to tell us is that her life is very happy and
she has never complained or regrets. Living in every choice you make,
isn’t this the happiest life?
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