The 4th screening day of the 17th Faroe Island Film Festival Unknown Unit brings you "Why Should I Fate That?" "Let’s see below how the women in the frontline family detached themselves from their stereotyped life!
yuch:
It looks good, the scene is beautiful, like an oil painting.
RIVER:
The bottom narrative of the mean, Carmen Mullah is good.
zzy granite:
The female sentiment of Almodovar is so profound, it is a story of resistance, not a story of crime.
Fruit trees:
In the early days of Almodovar, his style was so strong that he would not be mistaken when he came out with a single lens, but he did not have the refined feeling of the later period.
Dazhao:
Unconventional lens narrative, bright color scheduling, and gorgeous Italian-style characters. The local details of the film are very interesting, but the overall narrative clues are not obvious.
lebowski:
Almodovar once again discussed the plight of women’s lives. I always think that Almodovar’s greatest advantage is to see the big in the small, and this movie is the same, but it’s a pity that this movie is not excellent in his dimensions.
Shark dimension:
The patriarchal society is oppressive to everyone. If you open a hole, the situation doesn't seem to get better. If you can't jump out of the hole, it will only repeat itself. The desperate housewife killed her husband, and in the end she had to rely on her "son".
Ball candy:
The housewife who was slowly pushed to the brink of collapse can only bring about rebirth. Finally, the return of motherhood is another comfort. Almodovar has a kind of magic, and such a trivial plot can make me enjoy it.
Spy Liu:
The story is not refined enough, and the script is more chaotic, which makes Almodovar's iconic colors and soundtrack even seem a bit overwhelming. Of course, Carmen Mullah’s performance is still great, especially the emotional changes after seeing off his son and mother-in-law.
No one at midnight:
The movie with the beginning of success and failure, the opening 5 minutes of the bathroom begging for pleasure is really well shot, so good that it has almost premature ejaculation before the will of the whole movie, living in a tight space, the cost of survival and the law of desire carefully placed As the motif of the scene throughout the film, it has been fully constructed when the movie comes up. The next 96 minutes become a constant repetition and amplification action, which is dull no matter how you look at it. What's interesting is that if the film is regarded as the "beginning" of Almodovar's creative trajectory, whether in the plot content or the art vision, it will also serve as a big precursor.
No one knows about DAY4 will be released later, please wait and see.
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