Theater conductors, street musicians, visionaries on seats, etc. Although his and their behaviors do not seem to conform to the "standard" behavior pattern, they are actually fine when they communicate with the wandering male protagonist. of. In other words, he and the others are not stunned (the woman with makeup on the balcony is just because she was disturbed), and they may live more in their own world, but in fact they are self-aware.
And this is different from the female character in a certain movie by Du Meng. This female character is actually stunned and does not know it; similarly, some stunned people can also be seen in real life today (despite this Don't blame them themselves). This is actually the same as "going crazy", but in a different way (I haven't thought about the current "going crazy", but in my case, this may be something wrong, but I will not blame the specific person).
I won't describe it in detail anymore, and come back to my clearer point. In other words, the people in the film who are in conversation with themselves are instead an inward outlet, just like the artist's main body uses creation to reconcile internal contradictions or pain.
What I want to ask is, what are the exits that are easy to learn right now. So if the exit hasn't appeared yet (it's not absent), is it necessary to still be aware of it first? In other words, oneself will not slide towards or out of the demon (demon is absolutely different from being in pain). That is to avoid similar devilishness, at least if you are still able and willing to communicate with people in general, you are already able to face the export. As for the outward export, perhaps it’s not the only way to return to offline communication. There are still multiple ways to wait for migrants online.
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