"money"

Hilma 2022-01-23 08:01:45

I watched Robert Bresson’s "Money" last night. I had only watched his movie "The Diary of a Country Priest", but in terms of these two movies, it was very shocking. I remember that I finished watching this movie last winter. After the movie, I almost trembling to turn off the computer, huge emotions lingered in my heart, and there was nowhere to think.

Now that I think about it, this shock comes from the re-understanding of the "religious complex". I used to think that this is always due to some kind of deficiency, some kind of trust, giving a sympathetic understanding of the great suffering of life, and the starting point of all this It is out of "explanation" rather than the so-called "love", but "village pastor" makes people feel a kind of giving, a kind of greatness with content-raw material I easily utter this word.

Let's talk about "Money", a 1983 work, when Bresson was 83 years old. Speaking of style, he is too sophisticated. He is not worried about leaving the camera there, staring at the "thing", almost treating it as a living thing, and man, as the other of the thing, his position is just " It appears when you are close to the thing and when you have a relationship with the thing.

And the actions of all the characters, opening drawers, closing doors, raising a hoe, or raising a murderous axe, almost maintained the same frequency of soothing, even-lyrical. The same goes for the characters’ language and expressions. This weird rhythm is boldly used by the director and is built into the whole story structure. The effect is to make the viewer sit in a hurry and maintain a certain sense of solemnity. Deeply fine and deeply immersed in the film.

The advancement of the story is also very sophisticated, the clues are a bit polyphonic, but there is no external force push. Naturally, when the film progresses to three-quarters, it reaches an absolute climax. At that moment, I think it happened in the old. In the yard of the woman’s house, when she brought a large bowl of purple-red medicine to the young murderer and escaped (?), the camera followed the woman’s footsteps and walked towards a priest. The

woman said, "Father, leave. it "

Father:" I'll tell him to go, "

the woman:" no, let me handle it, you go, begging you, "

the priest:"!! you do not know him, you're crazy stupid "

Then, the camera staring at the bowl of medicine suddenly shook violently—the priest actually waved his hand at the woman—I hardly had the courage to rewatch this second, although there was no such evil punch in the camera—but It is this violent flash that condenses the unspoken evil that runs through the entire film: the evil of money, the evil added to it by human nature, and the "religious evil" that the "priest" wields to the real good, through With the strength of this punch, the apparent and deep-seated appeals of the film have been completely opened up.

The next shot immediately cut to the woman’s face (what a clean master stroke!), she did not flinch or panic, she was still the firmness and tranquility she was accustomed to from the beginning, she did not feel humiliated, let alone added the slightest Emotional tolerance and resistance, she doesn't reveal anything, but she is in absolute goodness.

But what a powerful force this is! At this moment in the movie, I was strongly shocked, or to say, sublimated.

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Extended Reading
  • Gia 2022-04-22 07:01:49

    Bresson's minimalism is so indifferent and alienating. | SIFF2019 4K recap, mechanical and cold, money kills.

  • Toby 2022-04-22 07:01:49

    Bresson is really a minimalist and ruthless man. The whole film does not see the slightest curves and soft transitions from the beginning to the end. The characters are squeezed by the cramped rectangle from beginning to end, and the frequency outside the painting is surprisingly high. And every scene, every shot, every track is indispensable.

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  • Yvon Targe: [to the guy who sent him to jail] You have me on your conscience. You have to answer for that now.

  • Yvon Targe: Wait. Everyone will be happy soon. I won't wait around for that. Believe me, it will bore us stupid. I want happiness now, on my terms.