To be sure, the director is a person with an optimistic outlook on life, or a person who yearns for a better life. Louis wrote, directed and acted in a robbery case, trying to save her marriage that had reached the edge of the cliff from another more serious disaster. She knows human nature in her palms. In the face of the "possible death", the brain of a person who is in danger of life is on the stage again, and the chaotic heart begins to restart. Louis and Ian are tied up in that small bathroom, and their lives have become simpler. Ian said, you used to be too fond of expressing opinions and nagging. Louis can't wait to say, I won't talk about it in the future, don't talk about it. Ian immediately said to Louis gently, no, no, you have to. Louis deeply expressed to Ian that she really wanted to give birth to a child for him, and before that we knew they had quarreled endlessly. But what I am particularly worried about is whether they can stay in this hut away from the triviality and helplessness of life forever. What's more meaningful is that Louis designed a thoughtful and meticulous detail in order to retrieve Ian's long-lost desire for male conquest for her: the robber man has repeatedly coveted her beauty and figure. Louis caused the power to stop (this is just my guess, because the power outage is such a wonderful thing at this time), the moonlight outside the window penetrated into the dim hut, and Ian finally found Louis "you are so beautiful" again.
The ending was very romantic. When the camera switched again, with soft blond hair and a bright smile, little Ian was sleeping in a small crib. After escaping the dreamy hut, they returned to the real world unharmed. It seemed that nothing happened. What I suddenly understood at this time is that there is only one Woody Allen in Hollywood. Only the slender and sensitive old man can see the flaws in the peaceful and orderly life, and only he can tell the flow of vacancy and helplessness in the lively and fiery life in the most nonchalant, mocking tone, and only he can be like "Midnight Barcelona" and " The witty and sadness in "Saiwei Point" tells us that every criss-cross intersection may be covered with miraculous moonlight, but in the end life is driven on the established track and cannot be changed.
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