This film is really too literary and beautiful. The pain of war it shows only stays on the surface, not deep into the heart. The real pain is not something you can think about, or it can be avoided like Mizushima. The life and death pain of war and the crazy and cruel thinking about mankind should not be so superficial, and should not be as simple as simple refuge and purification. I have been watching "The Crowd" recently. Human beings are originally such an unconscious group that preserves animality. As long as they enter an unconscious state, no amount of rational thinking can change it. In this case, it is meaningless to struggle painfully to save by the conversion of the mind.
Literary and artistic youths all over the world are the same. Regardless of nationality, regardless of age, they will bury their heads in distress whenever there are things they can't see clearly. In fact, it is unnecessary. Self-salvation is one aspect. Understanding human beings and society is a better way to save.
Some people say that this film is quite thought-provoking in the Japanese anti-war film, but I think the whole film is the sight of a war observer. Singing, music, Burmese harp, local kind old ladies, and handsome guys. I went to TM to direct them. The seeds of Japanese youth idol dramas were probably planted in that era. The pain of war is also a romantic idol. A handful.
Don't put the label of anti-war and reflection on this film, it's too yy. The intention of this film is very simple. It shows that Little Japan is also a victim of the war, telling the whole people to cheer up and invest in new economic construction.
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