Ha Zhengyu's Destruction

Jabari 2022-01-24 17:48:28

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Zhang Xiaobei teacher said: "Korean films has been one thing, the right time called" blood ", the excess is" the idea "but we have never seen a shortage of time what it was like.."
It says so right .

After reading it late at night, a thousand words. Just getting up, refreshed, decided to make a physical decision.
This is an excellent genre film that makes people unable to show up after watching it, and only wants to swear.
I would like to elaborate on my exposition of "Horror Live" in three points.
(This answer involves a large number of spoilers for the film and some spoilers for "Chaser" and "Yellow Sea". Please read it carefully.)

First of all, this is a very standardized and even accurate genre film.
The opening tone is too clear: this is a Hollywood narrative film.
The person who rushes to the face, the disturbance that appears in the first minute and runs through to the end, the choices that follow, and the typical baggage setting. From the perspective of the play, this film is just like an example in the same textbook. One by one pinches a quasi plot point, and is partial-you the fuck can't really guess what he's going to play next?
At the forty-minute plot point, the president who you thought "absolutely can't show up" came in a bulletproof car, and finally walked down an aggressive police chief. In the seventy-minute plot point, the bridge that you thought "absolutely can't break" collapsed. In the middle of the police chief died, Yin Ronghua was exposed to the scandal, the president arrived, one after another, all of which were driven by the characters. The skillful methods, the clever methods, the partiality and the unconventional, really don’t make people unhappy. .
It's really wonderful, it's really standard.
A large number of hand-held cameras are suffocating. With a precise rhythm, the characters usher in one crisis after another, one wave after another, and the big baggage of "exploded or not exploded" runs through the front for a full seventy. minute. Until you thought the biggest suspense was finally lifted-the bridge still exploded, and then, within three minutes, the JC Tower exploded, facing the TV station, and collapsed. The character finally survived this wave. Eighty minutes later, a phone call called: "The bomb in your ear is fake."
Step by step, step by step.
If I say that before the bridge is traversed, I can still fight with the director and screenwriter in my spare time. Until here, I can no longer think normally. I am eager to know what will happen next. I don't want to speculate anymore, because it's exciting enough and awesome enough. It is really so standardized, and what it achieves is not the "good" of 80 points, but the "excellent" of 90 points.
As a small-cost movie, it can be so good. I can see that what is produced under a "formed" industrial system is no longer such a thing as "how many streets can we get out of", but there is really a gap in the middle.

As a movie whose acting space is compressed into a studio, 80% of the time is supported by Ha Zhengyu's proficient acting skills.
As for Ha Zhengyu himself, my love for him makes me want to use him throughout.
From the first sight of "Chaser", at that time, Ha Zhengyu was acting as a perverted murderer. Cowardly, shrinking, and silent to the point of uselessness. Until he was released on bail, he left indifferently until he hit the heroine with a hammer.
The craziness in his bones is restrained and violent.
If in the "Chaser", Jin Yunshi stole the limelight because of the thin dimension of the characters, then until the second feature film "Yellow Sea" in Luohong Town, it is also the golden triangle of Jin Yunshihe Zhengyu in Luohong Town, and officially takes the lead. The protagonist Daqi Ha Zhengyu shocked me again. If He Zhengyu in "The Chaser" only played that kind of "introverted" until "Yellow Sea", a Korean killer, invisibly, cruel, and stubborn in his bones, he was so hearty and impressed. People can't forget even if they want to forget it.
And in this film, I finally determined that He Zhengyu is a great talent and has a boundless future.
Different from "Chaser" and "Yellow Sea", there is also Jin Yunshi's drama with him. In this "horror live broadcast", in Ha Jung Woo, I was finally able to see his powerful acting skills positively.
There is no real rivalry anymore. A small studio with multiple cameras caught Ha Zhengyu. He was nasty, calm, snobbish, lost, and finally crazy. He Zhengyu took Yin Ronghua in 90 minutes. The anchor was so flesh-and-blood that the name that sounds a little unfavorable for me to remember till now.
If the "good-looking" of the film is due to his excellent narrative, then the credit for "his excellent narrative" is attributed to Ha Zhengyu. Without Ha Jung Woo's 97-minute furious performance, I'm afraid the score of this film will be greatly reduced.
"Even the hair can be used for acting", this comment is really not a cover.

Finally, what I want to say is that it is the "strength" of this film.
Ten minutes before the film, I thought he would be a good-looking genre film like "Ace Vs Ace".
And it wasn't until the seventieth minute that the bridge was blown up, and I suddenly found that I had lost my direction. I didn't know where this movie would go. Because I suddenly discovered, "No, it's a mess."
According to Hollywood's routine-"If the bridge is blown up, I will tell you at the end"-"The heroine must have a strong performance at the end"-"The protagonist must be Have a halo to save the world."
However, just after the climax, the bridge exploded, the life and death of the heroine was unknown, and the protagonist was in the shaky studio building. The secretary-general told him: "We will need a scapegoat, it's you."
Just at that minute. , I finally faintly discovered that this film is not only for "good-looking", it is accurate, standardized, and excellent, and it seems to be burdened with something.
Immediately after Yin Ronghua performed the final broadcast, and then fought with the villain, a piece of paper that the police chief used to threaten the villain fluttered, and the burden was shaken. The only villain was a young and tender boy with a hostile face and aggrieved face. , With a sad face.
On the front line of life and death, the remote control of the bomb is in the hands of the boy, who hangs high on the cliff, and the abyss is wide.
"Find the target, kill it." The
cunning rabbit died, and the lackey cooked.
Yin Ronghua, a nasty and snobbery anchor, picked up the boy: "Why me?"
"Because he only watches your show."
"Why believe me?"
"Because he said that there is no reason, but he believes what you say."
Two Holding both hands together, a gunshot sounded.
At this moment, the "kindness" that had been hidden in the movie for a long time finally came out and broke out violently.
You can say it is a "complaint against society" and a "responsibility", but in the final analysis, it is a smear of blood. This smear of blood can be the father who fell on the bridge, it can be the outstanding SNC reporter Li Zhixiu, and the same can be, falling in the youth. A gunshot on his body.
This is "strength".

In the end, the dirty and snobbish anchor presses the button instead of the boy.
Everything turned into fly ash.

Applause for the director and Ha Zhengyu.

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Extended Reading

The Terror Live quotes

  • Park Shin-Woo: I'm sorry.

    Yeong-hwa Yoon: You were going to kill them anyway! Son of a... You're sorry? How can you say that?

    Park Shin-Woo: I started this just to hear those two words. I said to come quick because it'll collapse. I agreed to the rescue! But where is he? It's out of my hands now.

  • Yeong-hwa Yoon: Why me?

    Park Shin-Woo: Still, I thought you would be different. You're all the same. That's why you're dying. Then, I'll stand there and end things myself.

    Yeong-hwa Yoon: Please, Mr. Park... Please, please don't kill me. Please, sir! Please! I beg you! Please! Let me live! Let me out, please.

    Park Shin-Woo: Keep being like that. Groveling under damn bastards. Live like that, then die.