Atong is a good girl! & Must come to nag a few words (spoilers, be careful, come with Tucao)! ! !

Aric 2022-01-20 08:03:30

Looking at the three parts, one feels: Atong is a good girl!
The story is basically like this: Diaosi (infinite desire to counterattack) ——> enlisted in the army, escaped from the battlefield——> a chance encounter with Zhu Shi’s mother and daughter, an old woman hooked up with Musashi, and eight tragic hands——> homecoming, betrayal, fleeing—— >I was caught by the monk——>Atong rescued and entrusted his life——>I was caught by the monk again——>Three years of studying to counterattack Gao Fushuai——>Find someone to fight——>Fight with someone who breaks the cow (cultivation of self-cultivation) ) --> Being taken to the kiln --> Find someone better to fight -->Farming practice -->Seven Samurai plot chaos in --> Kill Kojiro. (Your sister! This can be called a spoiler!!!)
Basically the first part talks about counterattacks, the second and third parts talk about finding someone to fight and fight, during which there is also separation from Ah Tong, and Zhu Shi Pursuing more than just, take a little bit of the story of the male second Jiro Niu breaking and banging.
Although I have watched Kurosawa Akira's "Seven Samurai" before, I have a little understanding of the style of samurai movies. But when I was watching the first part, I couldn't help but complain about the houses and the clothes of the people at that time. It did have a taste of a wild land (not including the land of Yoshino, which can be described as extremely luxurious and exquisite).
Secondly, Zhu Shi's mother is a bit too lonely! When I saw a strong man, I wanted to reclaim my own possessions. Nima instantly made me feel calm. It is certainly worthwhile to actively pursue my love, but the key is that you are all milfs and ruined your husband, and you are lonely. A stick solve it by yourself! Why bother to snatch a man from your own daughter, regardless of the age difference, if you are so proactive and the other party is not frightened, then he is really amazing. Not only that, after watching this movie, you finally understand why the older generation of Japanese like to play night strikes? Why is the land of Yoshino so prosperous? Why do Japanese devils like flower girls? Why do Japanese people like to shoot AV? It's not because they don't have Zhuzi's three guides and five constants, but because they can't bear the turmoil in their bones. Although an article about serious academic issues completely subverted my ethics before, I still have to say that in my bones I am grateful to Zhu Zi’s Three Guidelines and Five Constants for restraining our people for so many years, which made this land in the past few years. It hasn't become that wild in a hundred years. (Fuck, what are you talking about, you can watch more movies!!! Most Japanese women are still very conservative...)
Finally, talk about each role.
The most brilliant and favorite character is Ah Tong. At the beginning, I waited and waited and returned from shooting, but the news that the old lady had received the target was indeed received. Later, I took the initiative to pursue Musashi. At first, it was a bit far-fetched and wanted to escape from the village, but she waited later. It’s very touching. Waiting for Musashi’s counterattack to return. Finally, she waited, but she left without saying goodbye. But she still insisted on pursuing her love. After waiting for him for three years and three years, she found him. Li and Baili, and she did not seek his name or his benefit, she only hoped to build a thatched cottage in the wilderness with him, open a field, stay together for a long time, and end her white head. It's not so much that I like this role as it is to be sad for this role, and moved, worried for her, and hope for her. Next is Musashi. To tell the truth, he is really insensitive to him. Although the old ship’s acting skills are quite good, putting him in the second place is mainly due to the unshakable nature of his protagonist. What I have to mention is that the duel scenes are too realistic (Nima), I haven't seen the blood yet, I have already lie down, and there is nothing like Li Mobai's elegance. The story of Musashi fully tells us-to counterattack Diosi, she must meet nobles, suffering from old and new stocks, hungry and empty. Then there is Comrade Zhu Shixiao (a Japanese comrade who you call wool!!!). Her experience is actually quite miserable. First, a man similar to herself became her own godfather, and then she was a real mother. It was sold, and he lost his virginity. Later he ran away and fell into the hands of Kojiro, and then fell to the land of Yoshino. She can also be regarded as a model of going out and boldly pursuing the one she loves. Should be encouraged. Comrade Kojiro's words, I personally think that there is really nothing to say except for the various kinds of handsome cows. It was the little maid next to Miss Yoshino. Although she didn't have many scenes, she was good at singing, and her voice was tender, impressive, and extremely brilliant.
At the end, I realized that the name of Musashi Kojiro in Pokemon originally came from this way.

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Extended Reading
  • Franco 2022-04-23 07:04:07

    Mifune's performance in the film can be said to be a part of the continuation of Kikuchiyo among the Seven Samurai in the same year, but there is no breakthrough, let alone the demeanor of pursuing kendo. If the life of Miyamoto Musashi is divided into three parts, then this film is destined to be a foreshadowing. At the same time, the whole film is indeed very smooth and beautiful, but this is not the credit of Inagaki Hiroshi, but the original work.

  • Allison 2022-04-20 09:02:25

    Miyamoto Musashi trilogy

Samurai I: Musashi Miyamoto quotes

  • Musashi Miyamoto (Takezo): Why are you here?

    Takuan Osho: To capture you.

    [Takezo gives Takuan and Otsu a look of betrayal]

    Takuan Osho: If you surrender to a Buddhist priest, consideration shall be given to you.

    Musashi Miyamoto (Takezo): Never!

    Takuan Osho: My boy, do you think you can win?

    Musashi Miyamoto (Takezo): [stoutly] Yes.

    Takuan Osho: Are you trying to defeat yourself, too?

    Musashi Miyamoto (Takezo): I don't mind dying in a good fight. But before I die, I will have some blood!

    Takuan Osho: What about your relatives? They're prisoners on your account.

    Musashi Miyamoto (Takezo): What relatives? They all hate me!

    Takuan Osho: Some are suffering.

    Musashi Miyamoto (Takezo): Hang them all! Better off dead, all of them!

    Takuan Osho: Even the women?

    Musashi Miyamoto (Takezo): [close to tears] Quiet!

    Takuan Osho: And their children?

    Musashi Miyamoto (Takezo): I don't care! Let all of them...

    [Takezo starts sobbing. Takuan gets up, grabs him by the back of his collar with one hand and beats him with the other]

    Takuan Osho: Fool! Wild fool! I shall punish you, with the hand of your parents!

  • [Takuan leads Takezo to a stairway in Himeji castle leading to an attic, where Otsu is supposedly waiting. Takezo gives Takuan a look of verification, and sees Takuan's encouraging expression. Takezo rushes up to the attic to look for Otsu, but she's not there. Takuan shuts the door to the attic. Takezo rushes to the door and pounds on it]

    Musashi Miyamoto (Takezo): Takuan! Priest Takuan!

    Takuan Osho: She is safely sheltered near Hanada bridge.

    Musashi Miyamoto (Takezo): Damn you! You dirty lying rogue!

    [In a panic, Takezo rushes to the window. Outside there is nothing but lofty shingled roofs. He would break his neck trying to climb out. He pulls on the thick wooden window bars but they won't come loose. Takezo rushes back to the door, pounds on it and tries to pull it open]

    Musashi Miyamoto (Takezo): Open up! Open the door!

    Takuan Osho: Takezo. This room is yours for some time. Otsu will wait.

    Musashi Miyamoto (Takezo): You're lying. She's alone!

    Takuan Osho: She will wait. In those books are many of the things you need. After you master them, I will see you again. Farewell.

    [Takezo sinks to a sitting position, then collapses to the floor and cries uncontrollably]