When the suspicion derived from low self-esteem collided with the subconscious mind of sex, "Blind Vision" began to draw a very strange concrete picture of the brain consciousness with the super-temporal and super-spatial stream of consciousness. The heroine in the film invented it Two different characters: one is Einar, who is full of sexual fantasies and represents the desire for voyeurism. He is similar to a mirror of the heroine's own original sexual desires, in the subconscious and preconscious, shy and full of vitality; the other is Elin, who bears the heroine's inferiority and suspicion, carries the heroine's life experience, fragile and uneasy. Einar's peeping and shy approach to Elin is actually a subconscious attempt to break through the preconsciousness. When the film Einar spied on Elin and the heroine's husband having sex, he began to break through the defense of the whole story with an invisible attitude. The story is completely Began to fall into a state of fusion of reality and reality of "fake is true when true is true, and there is nothing but nothing", which is extremely aggressive.
Soon after the beginning of the film, the heroine puts on Elin the background of being a single parent and living emptiness (representing a sense of inferiority and vulnerability caused by life experience). At the same time, the heroine arranges her husband and Einar in her consciousness. (Desire)’s first meeting. This meeting is full of features of stream of consciousness. The editing has begun to be presented in a posture that transcends spatiality. In the context of the double intersection of the cafe and the bus, the heroine’s suspicion chain is completed. A starting point. Then, the editing methods of the virtual and the real became more and more intensified. The heroine's inferiority-derived suspicion began to continuously produce conscious attacks. Until Elin and her husband met, the heroine's thinking and conjecture had fallen into an uncontrollable situation.
In fact, many passages in the film have already explained the heroine’s anxiety and low self-esteem in the form of narration. However, the narration, as a guide for the heroine’s stream of consciousness, finally fell into the true and false as the imaginary world gradually lost control. Discrimination, the heroine’s subconscious began to use her sexual repression as the main source to confuse the imaginary representation of the concrete world. This irrational area that can be touched by non-general consciousness began to unknowingly affect the heroine’s rational behavior, causing the heroine to act. The protagonist is gradually lost in reality.
In the heroine’s imagination, the derailment between her husband and Elin is full of the combination of her own inferiority and sexual depression, and the visual decline that slowly manifests in Elin also makes Elin's anxiety, inferiority and vulnerability begin to completely match the heroine herself. Encountered intercourse, and finally fell into the quagmire of indistinguishability. The source of all the imagination of the heroine is indeed due to the reality factor of blindness. After losing the entire visual condition, her mental activities become extremely sensitive and rich, and in this way, she compensates for the visual defects, and then the anxiety, tight grasp and Introverted, it exacerbated her loss. The world of the stream of consciousness of the blind is so strong that it is not bound by any time and space, colliding, constructing, and suing in primitive desires and emotions, and it is never interrupted, like the clouds and the water flowing together.
The first and last two paragraphs of the film echo each other, and one of the points that is easy to overlook is the change in the use of tones in the two scenes. At the beginning, the color of the interior by the window was mainly based on cool gray. This is the original heroine. A manifestation of psychological state, and at the end, it is also the apartment room by the window. The tone of the film begins to lean towards warm colors. The heroine reveals her desires in front of her husband, and her inner world begins to return to a peaceful state. It is an elegant and beautiful ending. In fact, the paragraph before this scene has given the answer to the whole story. In this paragraph, the daughter told Elin that a man was watching them, and Elin, who had never met Einar before, calmly said to her daughter that this is a way to take care of them often. Our good person, this kind of self-experience carrier and the peaceful and calm opposite of desire, has laid a foreshadowing for the end with sufficient endoplasm. Desire itself is not wrong. If you face him calmly, you will know that he is actually kind and shy. The posture appears. The daughter said that Elinar looks very ugly. In fact, this is only representative of the innocence of goodwill, which essentially covers the attitude of the world to be ashamed of it. It may be the same for both the East and the West.
Returning to the technical level of the film, the editing of "Blind Vision" can be said to be bold and creative. It is very accurate and smooth to restore a very inner spiritual world under the extremely difficult situation of combining with narrative. Excellence keeps the literary height of this stream of consciousness film from breaking, and fully embodies the caution and creativity in the film's narrative text. In addition to the first time, the film's use of tones is also very detailed, and it has reached a high level of agreement with the psychological state of the characters. When each of us is in a daze and falls into random thoughts dominated by the subconscious, "Blind Vision" completely captures this continuous flow of consciousness with the keen sense of literature, leaving a place of surprise.
Everything will be fine, as long as you have more sense of humor. That's right, everything is condensed in this sentence.
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