When we came back, the typhoon we said here did not blow. There was occasional wind in the sultry night.
In fact, the weather in Thailand should be quite similar.
I remembered the name of a playlist I created, called Gentle Violent.
One such piece.
I didn't look at Killing the Wolf. This movie was also passed by the girl in the group, Amway.
I've seen Zheng Baorui's films accidentally, and every one of them is extremely dark. Every look in the eyes of the actors in his film is impure. Like the supporting role, the protagonist alternates with dark and light sides. The good and evil of human nature are also transformed in an instant...the contradiction is real.
I am very happy that this film has been able to continue this style. And every supporting role and protagonist are very good actors.
There are two such opposite lines lurking in the play. One is that Big Boss has to take his own brother's life anyway for his own life. On the other side are a father who wants to save his daughter at all costs, and an uncle who does not care about work and life to save his nephew.
In addition to the opposing human nature, Director Zheng always has fatalism in the dramas he directs.
Tony said to his daughter in the play, you have to believe that there will be miracles in this world. The sentence Uncle Da said while sitting in a wheelchair, the wrong thing will happen when it's right. The most ingenious thing is that Gu Tsai finished complimenting Zhang Jin's tie in the prison, but... he died because of it.
This volt line is more strange than the two in the hospital staring at each other with their mobile phones.
This world is like this, cruel and gentle. The darkness is shining again.
You never know, a certain thing, a certain sentence that you unconsciously do in this second. Your existence in such a meaningless day.
What kind of butterfly effect will it bring to this world?
But this kind of fatalism was broken by the director himself.
Inside, he kept telling them with everyone's behavior—telling us outside the movie. Living to death, breaking fate and surrendering...
So the big BOSS can last from five to forty-three. Still don't want to die.
The little girl used her mobile phone to translate and said, if I wait for you...
Uncle Da used a machine to break her hands and take out the handcuffs and tell Wu Jing, let’s kill them together...
Such a sense of conflict and contradiction is revealed in the film. , The film can become beautiful. Full of destiny blur and destiny breaking tension... and the director is darker because of his own style. So it's unambiguous. The bloody blood, the violent violence. But if it's just ignorant violence and masculinity, it will become the style of killing wolf one. It's more lively. There is no obscure tones...so the director arranges the gentle little loli's literary play...every time the bloody shot comes over, it is against the background of warm colors, the beautiful, cute and weak little loli...
this kind of change stimulates you The senses. It couldn't be more beautiful.
The butcher in South Korea is a bit like a low-intellect. He only raises a knife to chop people. The numb look is really horrible...
The flying knife juggler next to the big boss, the knife cut one by one, you don't seem to know. Where will his knife cut the opponent. All you know is that his people in Yau Ma Tei are standing there, like a god of death...too scary...in the
end it is Zhang Jin.
Zhang Jin combed his shiny heads, dressed in a well-fitting suit, and his handsome face did not smile. There are always a bunch of people around...
if it's not for the vulture. The expression is too cold. I just thought he was the domineering president who came to the prison for a day trip.
But compare with him. That throwing knife is like the little brother of Death... Hmm. He is the god of death.
Standing in the dark, the wind doesn't move. He doesn't seem to be touched by anything.
He dismissed family affection and friendship. I think he doesn't need love either.
But people like him are loyal to his boss. Unswervingly until death.
This is also the two sides of humanity that the director has repeatedly reflected in the film.
The prison guards who are greedy for money can use the money to treat the brother's daughter.
His wife, the second boss who walked his personal organs, was kind and righteous, and died at the airport in order to help her husband run away.
While the protagonist can't get rid of drug addiction, on the other hand, he is trying to investigate the case... The
second boss was trying to take his heart like this by his own brother, and in the end he couldn't get a painful hand...
In fact, they are not really good people.
Especially the warden played by Zhang Jin.
He is loyal. Dedicated to repay BOS for life-saving grace. For his own life, the number of innocent lives in his hands is beyond count.
But he just has the ability to make people unable to look away. Every time he comes out, he carries the breath of Shura arena, cold and desperate, unable to see the slightest light. You can only follow him to browse the hell he created.
In the two games, he played very gracefully in the prison part. Like an eagle.
In the last game, he played dreadfully, every move was precise and dangerous. Like a leopard.
Of course, action movies must not be ignored.
Although Wu Jing also studied Tai Chi and martial arts class, he used fighting skills in the film, almost.
Of course Tony uses Muay Thai. In fact, it is also a kind of fighting...
Zhang Jin uses Tai Chi and Bagua. Authentic Chinese martial arts. It's so enjoyable. Finally, he made a trick to hang the seal of the old ape! ! ! ! ! This is a tribute to a great master! ! !
What's more interesting is that Wu Jing also filmed Tai Chi Master TV series based on Yang Luchan, and Yang Style Tai Chi evolved from Chen Style Tai Chi. So Wu Jing is also very familiar with this routine. If you can see the two playing Tai Chi and gossip separately... (think about it, I think it’s
okay to look down) The soundtrack is also quite good. Chen Guangrong can be a god. Please be respected by me. The soundtrack used in the first scene of the big scene reminded me of the siege of the horse thief in the East Evil West Poison...The second and most exciting one was actually a classical opera. The weird dark and gorgeous high notes of the Middle Ages accompanied by the invigorating fighting, can't be better...
The last thing I want to say is that Tony and Wu Jingjing are actually very good....... It's just---handsome than Zhang Jin... Accept your fate...
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