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Don’t play with fire if you love the party
Donavon 2022-02-25 08:01:09
It is still a trufaut that has nothing to do with the new wave. It is really scheming to put La peau douce and La femme d'a cote together in the archive. Movies have evolved from black and white to color. Men and women still don’t end well in love, and they don’t know the situation. Men always get into trouble with self-righteousness, and in the end the woman becomes unbearable, or leaves or blows the bastard with a single shot. Love is very important, love is precious. Because the speciousness is the most dangerous, it was clear that it was my true love that I have been searching for or looking for for so many years in the last second, and then I discovered that it was a big lie in the next second. It's too exciting, so don't play with fire for those who really love the party, such as sentimental and righteous people.
Extended Reading
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Michele 2022-04-24 07:01:23
Blu-ray revisited. Kent Jones' video essay mentions that one of the things about Hitchcock in this film is that Truffaut finally actively uses the camera to tell the story, putting the dialogue second; the close-up of the hand, the sensibility in the touch, the photo of the wife holding the beautiful mistress is affected by The tremor; the best music from Delerue and Truffaut collaboration.
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Newell 2022-02-25 08:01:09
Every misfortune of middle-aged people can be packaged as a middle-aged crisis. (Truffau first became a lover with Francoise Dorleac, and after her death, he had a two-year underground relationship with his sister Catherine Deneuve, which was a bit of a big deal) Deneuve Sisters, Jeanne Moreau (Jeanne Moreau), Adjani (Isabelle Adjani), Truffaut always loves the heroine more than his male protagonist.
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Pierre Lachenay: I've learned that men's unhappiness arises from the inability to stay quietly in their own room.