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Don’t play with fire if you love the party
Donavon 2022-02-25 08:01:09
It is still a trufaut that has nothing to do with the new wave. It is really scheming to put La peau douce and La femme d'a cote together in the archive. Movies have evolved from black and white to color. Men and women still don’t end well in love, and they don’t know the situation. Men always get into trouble with self-righteousness, and in the end the woman becomes unbearable, or leaves or blows the bastard with a single shot. Love is very important, love is precious. Because the speciousness is the most dangerous, it was clear that it was my true love that I have been searching for or looking for for so many years in the last second, and then I discovered that it was a big lie in the next second. It's too exciting, so don't play with fire for those who really love the party, such as sentimental and righteous people.
Extended Reading
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Desmond 2022-03-16 09:01:07
Deliberately, stupidly, playing with the audience's psychology. Just to produce a reasonable tragic ending of the extramarital affairs. Truffaut's mediocre work. The use of small props such as elevators, mirrors and curtains is great.
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Tamia 2022-04-21 09:03:16
I can't help but want to compare it to Rohmer's Afternoon Love. Both are about middle-class marriage tragedies. Although Truffaut's ending is more tragic, isn't Rohmer's aggrieved marriage even more touching? And Rohmer's men are more pathetic and women more promiscuous, less predictable than Truffaut's, which is more modern than Truffaut's performance of a man in a romantic encounter and a woman in marital crisis.
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Pierre Lachenay: I've learned that men's unhappiness arises from the inability to stay quietly in their own room.