Why is this a good film with great excavating power?

Michele 2022-01-24 17:48:26

After watching this film, I have been looking back at this film, and the level of thinking has gradually improved. I found that this is a very profound film worth recommending to everyone, of course, thinking is indispensable.
The beginning of thinking: I found that I was intoxicated in Patma's sweet smile; indulged in the tight embrace of Patma and Eiji.
Then I started to "solve problems" with the physical thinking mode of science students: I divided the film into two parts AB at the moment when the bottom of the central tower broke with the change of the character's identity as the dividing line. In A, the Aiga people represented by Eiji are "normal people", while those who wear thick chemical protective clothing living "underground" are "reverse people". The opposite is true in B. This reversal of identity is the sublimation of the film! It is the amazing thing about the film. The world shown in B is the real world. The real world has birds, rivers, and new planets that can be formed by experimenting with substances that have been stripped out of the original world. While Yingzhi and Patma both live underground, Patma is on the ground of the underground world, and Yingzhi is under the ground of the underground world. The two are separated by one floor of the ground.
Then I think about the message that the movie delivers to the audience: What I want to complain about the most during the viewing process is the content of the Aiga students’ lectures Ija Takeru
(you don’t know who this name is, it’s the monarch of Aiga ) ( a dead face freeze on the big screen, how can we have the male front of the window in a daze handsome face good-looking) righteous rhetoric to say that:
- in the past a major disaster sweeping the world
- a lot of people have been killed sky life
- So now only we
-the citizens of Aiga
who can stand on the ground -are the real human beings
- Aiga is the unique world of mankind -
there is nothing outside of Aiga -
we must take one step at a time
-obey discipline and order
-always guard this Piece of land
-Stay
away from the barren land beyond the cliff-Stay away from the unknown sky full of evil rays.
Such an absolute denial, is this ambiguity brainwashing? Letting you not go to the barren land, you students will not go? Are you not even curious? Are you students still not able to hear it? Are the screenwriters and directors fools for the audience? Is it a good idea to brainwash young people in the area? (The above is the voice of the movie watching)
In fact, those students are bound by the stipulation that "you can't become Aihe citizens without enough credits" (Portrait of contemporary students, my college entrance examination → my grade point (# -.- ) Hey), they still retain at least the most important human trait-curiosity, which can be seen when Patma and Eiji return to the "ground" by "hot air balloon-shaped vehicle".
Continue to explore in depth from the speech of Lord Ai He: Is Lord Ai really that bad? Is his level of brainwashing really that low? In fact, he is innocent, he doesn't know the real history, he is only executing it strictly according to the will of his ancestors. His ancestors were very sensible. His ancestors advocated living in harmony with the people on the earth, but he knew that the hatred that could only live underground would definitely cause a small number of people to conflict with the people on the earth. The most reasonable way was to issue a decree— -It is not allowed to go to the cliff (in fact, to avoid additional casualties caused by the conflict), and conceal the truth from future generations, so that the two races can survive the next time without incident. This decree was strictly followed, but because posterity did not know the truth, this decree was given various rumors of gods and ghosts, just like the myths produced by people's ignorance of nature in ancient times. The passage that Aijun read was gradually formed during this period, and then it was incorporated into the teaching material. Aijun was just "proclaimed according to the script". The reason why those students did not think was because their ancestors had experienced similar influences for generations. , Such as entering the abalone restaurant, it will become numb for a long time. In fact, Aijun was also a victim. When he was about to "reverse people" according to the ancestors' decree, he showed his preference for Patma. Aijun pulled out the window and hung in the air just to make Patma hold him tightly. He enjoyed this feeling very much. There are so many beautiful female students in the school, but this Aijun (principal) only instinctively showed "sex" interest to Patma. This is a personality that has been distorted by history and is hidden deep in his heart for beauty. The deformity of desire cannot be blamed on him.
2016.1.17 (unfinished)

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Extended Reading
  • Forrest 2022-04-20 09:02:30

    I really admire the Japanese imagination. . . The huge world view is described in a very cordial tone, which is the consistent practice of Japanese storytelling.

  • Zane 2022-01-24 17:48:27

    A good script of one out of ten (neon theatrical animation has always been weak and original) What's more, there are so many whimsical and ironic endings. The feelings of the male pig heroine are typically based on the suspension bridge effect: people are in danger The feeling of rapid heartbeat and love is very similar. This worldview is actually more suitable for two boys to play: when the male pig and the male second cooperate, the posture (body) and the posture (position) can not be played by a girl.