Who I need and what does he need

Elinore 2022-01-24 08:01:40

Although it is a triad film, it does not stick to the limitations of the triad, but a film that exposes the desires lurking in our human hearts. The image of the three gangsters in the film shows how desire can destroy a person's life, regardless of success It is still a failure. Desire makes the psychology accustomed to the characters appearing in the film. As a result, betrayed and betrayed, and lead to failure and success.

Bingdou once said to an old friend of the director, "We must shoot the essence of the underworld." But he forgot what the essence of the underworld is? It is despicableness, betrayal, desire, killing the master, in order to realize dreams, for more benefits, brotherhood is shit! The most classic in the movie is "Just remember two sentences to survive: Who is the person I need and what he needs".

If we say that everything is done to live, then only love is not. It cannot improve our lives. It is only our heart's appeal, which cannot be hidden or escaped. Even the coldest-blooded people will have the most tender side. A movie about being alive, between love and the laws of society. Who I love or not has nothing to do with what I do, but what you do must be responsible for what you do.

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Extended Reading
  • Elza 2022-03-15 09:01:10

    Zhao Renchengshuai has a fart that hasn't been eaten by the pawn

  • Gladyce 2022-03-17 09:01:08

    Korean "Young and Dangerous" is fundamentally different from "New York Gangs" or Hong Kong "Underworld": the perspective of those "Blow Flies" truly represents the people and the bottom of the "New World". It's too difficult to meet a partner who will share the joys and sorrows of a lifetime in "Despicable Street", because most of the eyes you can see are people who use you, exploit you, share your bed with you on the weekend, or simply stabbed you in the back. According to the capital principle, you deserve to be cheap and worthless. According to the logic of the power system, you deserve to be unrespected. The most special feature of Yu He's realist work is that he successfully establishes a connection between people who are on the street and people who are in the workplace through the film of intertwining reality and fiction. And this is exactly the feature of the film in the post-Abbasid era: asking why is it a movie? Why is it true? Why is it a guest? What is home? That's right, as the "people" in the movie said: Home is just a few mouths eating at the same table, and the shadow is the song in "Infernal Affairs". Believe me, the movie theater and the TKV box are the most poetic and sad places in the world, because there was a temporary and simple home for all the nightclub Shurachang people.