I have seen jailbreaking, or, more appropriately, "solving crimes" in a confined space. There are not many dramas, but there is already a feeling of factory operation.
At the beginning, simply explain the characters, and by the way, make the audience feel very tall. "Solving mystery and solving crimes" will inevitably have battles, especially hand-to-hand combat, and then reverse the plot and package the whole drama into a very brain-burning way. . In the end, HE, the protagonist wins, justice lasts forever, and the protagonist reaps love, affection, friendship, etc.
It’s not that positive energy is not good. I like the story of good people getting good rewards, but maybe this kind of prison escape movie is not my cup of tea, the same formula, it’s the first time I ate it, it’s delicious! I started to feel bored the second time I ate it. Of course, the process is logically fluent, the storytelling technique is still very good, and the layers of "mystery solving" are still good.
But the first half of this flop is to clear up the mystery-who is right and what happened before has been basically shown to the audience, so the following plot can almost be read without thinking. The main reversal of the plot takes place in the first half. The boyfriend friend turned out to be the biggest spy and the mastermind selling secrets. He also pretended to be the boyfriend friend + tricks everywhere and grabbed the attention. So by the end of the movie, the boyfriend was not dead. And the reversal of the story of participating in the sales intelligence plan is no longer the best. On the contrary, the "sex" that runs through the whole drama is more prominent in this female partner. For example, at the beginning, he admired the male protagonist’s sexual ability as a partner bonus, and when they met again, she even coveted the male protagonist’s sexual abilities and wanted to convince the male protagonist. Joining or wanting to include the male protagonist in the harem, when planning to kill the female protagonist, the key point of scolding the female protagonist was when she had no chance to enjoy the male protagonist's ability! Is she addicted to sex? Or is there something wrong with the brain? At the end of the story, it really hints that the male protagonist and the new female partner seem to have developed an intimate relationship...!
Look at the suggestion that the German agent was sexually abused when he was trapped, and the prison guards who used sexual abuse to revenge on the ship after escaping. It is not the traitorous female agent who is sexually addicted, but what does the screenwriter want to express?
Feminist?
Not only women are regarded as sex toys by men, and male protagonists are also regarded as sex toys? This is too deliberate. And how can the so-called "feminism" be embodied by the villain? On the contrary, the male protagonist who is a positive character constantly has new female partners online, and the agent who has been sexually abused twice retaliates-revenge on the guards and resolve the rebellious female agent for the male protagonist-implying that "feminism" is just in vain, " Male chauvinism" is the kingly way? Is this the hidden God reversal plot?
Oops
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