Berlin, BOURNE saw Randy leave the room in the hotel, the series of camera changes. First, BOURNE watched her go out from a condescending position, and the next shot cut to BOURNE, who was quickly descending the stairs, for a bird’s-eye view; Randy got in the car, BOURNE chased, and the camera calmly switched between BOURNE’s sight and the viewer’s sight. At the same time, Interspersed with aerial footage of car driving. The connection of the direction of the car between the upper and lower cameras, the left-right, and the close-up switching of the propulsion lens, is very smooth.
There are 3 car battles in the film, and the camera often has to be interspersed inside and outside the car, including a bird's-eye view of the panorama, busy and orderly, and not dazzling, it is a test of effort. The soundtrack is also very good.
View more about
The Bourne Supremacy reviews