I won’t go into details, just talk about the rationality of a few plots.

Cory 2022-03-19 09:01:01

Although the first half is somewhat awkward, it barely makes sense.

Just talk about the latter part, because it is really speechless.

①First of all, it is Manny. I really want to know whether he is a play house or a real gangster, and he is also known as a "partner" level figure. After all these years, when Tony went to New York, he pointed out that he would look after the house and act as the boss, "Run Things for me." He just hid himself? Can't the world find him? Doesn't he know the consequences of doing this? Don't say that he is a gangster, even if he is only in an ordinary company, just as an ordinary employee, this kind of behavior is already unforgivable, okay? What if it is a triad? Sorry, I really don't know if you are dead or betrayed. As an old man who came over, does Manny think it is allowed to do things like disappearing?

②For so many years, Manny and Gina don't understand Tony's character so much? Tony is a straight-forward and impatient rush. You don't play so much, why do you have to play Sprised with Tony? And also playing with his sister? Don't know Tony is a sister-in-law? Doesn't this mean you are playing Tony's hot personality? Is it fun? So many people who don’t play, really have to play this? Under the premise of "①", Tony will blow up, brother! The plot is actually to make Tony go downhill, but is this very forceful? Forcibly lowered Manny's IQ to a kindergarten level. In order to walk the plot.

③ For Sosa, as a person with the "highest IQ" in this film, I really didn't understand how his assassination plan was played. Send someone yourself, you have to find Tony too. You said that there is a lack of someone who understands English. If all you need is to understand English, not resources or manpower, then I think that many of the bigwigs here are from the United States. I really can’t find one who can drive. Does someone who understand English really make Tony step in when driving a car becomes an unstable factor? Please, the only person who did the work was the person you sent yourself. Other people didn't have any requirements other than driving a car and translating it, okay? Do you really have to let Tony intervene to make the situation more difficult to control? If you really want Tony to do it, why not let Tony do it instead of arranging someone? I don't think this superfluous way of doing things is something that Sosa should have. Sosa never procrastinates and never does extra moves before doing things. In fact, Sosa can only use Tony’s intelligence network and various local snake channels in this matter. Even Tony’s intelligence network or channels are not available, maybe...No, it should be said that Tony doesn’t have these two things at all! In his own city, Manny is not found in the whole world, even if he is married. Half of a person knows it. If you are a gangster, there will be no one with this information.)

I thought that this kind of famous film and this kind of old film all have a good script, but all I saw were to walk the plot, and the plot irrationality of the various characters caused by the strong plot. I think it’s the limit of three points, don’t tell me the age...I didn’t talk about the pictures, the action scenes, and the irrationality of various details; because I know that those are not important in a good movie. I want to say that the three-pointers are still based on the acting skills. If you only talk about the plot, you can give three-pointers too much.

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Extended Reading

Scarface quotes

  • Frank Lopez: Elvira! Baby! Where've you been? It's 10:00, honey, I'm starving!

    Elvira Hancock: You're always hungry. You should try starving.

  • Tony Montana: Look at that, a junkie... I got a junkie for a wife. Her womb is so polluted, I can't even have a fucking little baby with her!

    Manny Ribera: C'mon, Tony.

    Elvira Hancock: You son of a bitch!... You fuck!

    [throws wine in Tony's face]

    Elvira Hancock: How dare you talk to me like that? What makes you so much better than me? What do you do?

    Manny Ribera: [trying to dry off Tony's clothes] Don't worry.

    Elvira Hancock: [as shocked restaurant clients looks on aghast] You deal drugs and you kill people. Oh, that's wonderful, Tony. Real contribution to human history.

    Tony Montana: Go ahead. Just tell everybody. Come on.

    Elvira Hancock: You want a kid?

    Tony Montana: Tell the world.

    Elvira Hancock: What kind of a father do you think you'd make?

    [Tony tries taking a swipe at her]

    Elvira Hancock: Who's gonna drive him to school in the mornings? Are you even gonna be alive by the time the kid goes to school?

    [Tony glowers at her in rage]

    Elvira Hancock: You don't even know how to be a husband!

    Tony Montana: [snarls] Sit down before I...

    Elvira Hancock: [as Manny and guards try to calm her down] Do we ever go anywhere without having 600 thugs hanging around us all the time?

    [sobbing:]

    Elvira Hancock: I have Nick "The Pig" for a friend. What kind of a life is that?

    Manny Ribera: Come on.

    Elvira Hancock: Can't you see... what we're becoming, Tony? We're losers. We're not winners.

    Tony Montana: Go home. You're stoned.

    Elvira Hancock: I'm not stoned. You're stoned.

    Tony Montana: Get her out of here!

    Manny Ribera: Come on. Come on.

    Elvira Hancock: No! No! I'm not going home with you!

    [sighs, vainly trying to brush her hair back]

    Elvira Hancock: I'm not going home with anybody! I'm going home alone. I'm leaving you. I don't need this shit anymore.

    Manny Ribera: Okay, I'll walk you out.

    [tapping Tony on the shoulder:]

    Manny Ribera: I'll take her home in a cab.

    Tony Montana: Let her go, let her go. Another Quaalude, she gonna love me again.