The beginning is a good way to explain the background of the story

Deontae 2021-10-13 13:07:00

The film shows the director's use of the "pure film" technique: in order to help the film to express the same content, the language of the camera must be used to replace the dialogue, so as to express his main idea. At the beginning of the film, I wanted to shoot indoors. The walls were covered with photos. There was a camera with a telescope on the table. The last big photo was of a car race accident. Then I took the protagonist’s feet with plaster bandages. This shot Explain that the protagonist is a photojournalist who was injured by shooting a car race. The picture is simple at first glance, but don’t clarify the protagonist’s identity and environment in a single sentence.

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Extended Reading
  • Mathilde 2022-03-26 09:01:01

    2016.6.30 Rewatch. Grace Kelly looks good no matter what she wears, especially the first set. "Blow-Up-1966" is exactly this foundation. Although one window and one thing are interesting, now I feel that everyone is acting in front of the window. In the next 30 minutes, even when I look at it now, I feel the same as I did when I was a child, and my heart touches my throat.

  • Hollis 2021-10-20 18:59:49

    If it turns out that the businessman is innocent in the end, and everything is just speculation, it will be even better.

Rear Window quotes

  • [last lines]

    Newlywed woman: ...but if you'd told me you quit your job, we wouldn't have gotten married.

    Newlywed man: Oh, honey, come on.

  • Detective: [referring to what was buried in Thorwald's flower bed] He said the dog got too inquisitive, so he dug it up. It's in a hat box over in his apartment.

    Tom Doyle: Want to look?

    Stella: No thanks, I don't want any part of her.