The biggest logical problem comes from the shot under the floor.

Marcia 2021-10-13 13:07:04

After watching it for the second time, I suddenly felt that a question was worthy of discussion. When the black man triumphantly tried to face the duo on the wall, he was battered by the man in the basement, and then...there was no more. Why didn't the handsome guy in the basement no longer make up? Two shots?
Are there any bullets?
This is a joke, two guns were clearly thrown up behind.
The goal is not obvious?
This is even more ridiculous, the black man fell to the ground and wailed loudly, obviously he could make two more shots to quickly remove the biggest threat.
Enjoy the cruel process?
This is a nonsense. Obviously, his sister is still being threatened and suffering on the ground. He has no time for his brother to be in the mood to be cruel there.
In short, this is incomprehensible.

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Extended Reading
  • Lexus 2022-03-24 09:01:10

    Unexpectedly, Quentin would be able to produce such a sweet and repulsive political correctness. What was more unexpected was that he would write such a tensionless script: clumsy use of chapter body to force surprises, and naked all plot development. Into the lines, although the shots and scheduling are quite vigorous, they are purely sensory stimulation. The only thing that can soothe my frustration is probably only when Morricone, who is nearly ninety years old, got an Oscar with the leftovers from decades ago.

  • Paolo 2021-10-20 18:59:40

    The biggest feature of Quentin's films is that whether they are watched in the theater or at home, they feel the same. This film has deepened my view.

The Hateful Eight quotes

  • Six-Horse Judy: Hi-ya, Minnie!

  • Daisy Domergue: [after Warren hits her in the face for spitting a huge wad on his "Lincoln letter"] Is this the way niggers treat their ladies?

    Major Marquis Warren: [angrily makes a snowball] You are *NOT* a GODDAMNED *LADY!*

    [he throws the snowball at her]