The legacy of fire between two men

Jared 2022-01-29 08:06:06

"Revolutionary Past" is a very satirical western, a humorous drama with a unique style, and a far-reaching allegory and epic.

It expresses the essence of human desire through two unrelated men, whether it is robbery or revolution, it is just a coat.

At the beginning, the film explained the classic quotations of the great revolutionaries: "Revolution is not a dinner party, an essay, a painting or embroidery. It cannot be so elegant, so calm, gentle, so gentle, courteous and thrifty. Revolution is a riot, a class overthrowing another. Violent action of a class".

In the end, the director took more than two hours to interpret an ending: "Those who complete the revolution are ignorant of the revolution, those who plan the revolution betray the revolution, and those who insist on the revolution finally choose death."

How absurd, how ironic.

From the beginning of the film, the Mexican traveler Juan (Rod Steiger) made a pitiful appearance, took the rich man's train, and appeared to his "sons", looting the gold and silver treasures of the rich men and women, even The clothes were all stripped naked, which fully reflected the real pitifulness of this gunman. He just wanted to make his "sons" have a meal, that's all.

As the film progresses, the protagonist Sean (James Coburn) comes on the scene. As he swaggers past the location where Juan and others are ambushing on his motorcycle, Juan observes this western cowboy from Ireland. Possibly a man with no money, so he blew his motorcycle tire dramatically.

However, the story of the two of them begins here.

In order to show his strength, Sean showed off his blasting skills and his windbreaker covered in bombs. Maybe in Juan's opinion at the time, this person had useful value, at least they could rob a bank together, because once and for all is far more cost-effective than being a road bandit; and in Sean's opinion, this Juan's marksmanship is good , and there is a good armed force that can organize a riot or something together.

It can be said that the two have ghosts and plans, but they do not explain each other. So when Juan talked about the topic of robbing a bank, Sean did not deny it, because he wanted to use this armed force to rescue the revolutionaries who were locked up in the bank. In this way, Juan became a hero in a confused way.

When Juan rescued all the people and found that the bank had been turned into a prison, and he was depressed, Sean talked to him about the revolution. At this time, the rude Juan broke out: " Don't talk to me about the revolution, I know what it is." Then he explained in plain language all his understanding of the revolution: "The literate tell the illiterate: it's time to change, and let the illiterate tell the illiterate Go to work, and then sit at the table to eat and talk, and the illiterate? . . . Die! Then do it again."

Sean is noncommittal. Juan, who only wants money, doesn't seem to be reconciled, so there is a second "cooperation" - ambush the army. This cooperation once again allows Juan to show his skills. However, he loses all "sons" , this may be the price of a hero.

Through flashback shots, the director explained Sean's past background clearly and neatly, without a single line.

Under the lens of Sergio Leone, we can see his doubts about the revolution, as well as the confusion of the two protagonists, loyalty and betrayal, justice and evil, changing under the guise of revolution, foreshadowing a A tragic end to the revolutionary disillusionment, and a fate that is overwhelmed by realism.

When they blocked the army for the last time, Sean was seriously injured and chose to die, while Juan killed the army leader and became a true hero by accident.

With Sean dying, we hear Juan's hysterical cries: "What would I do without you?"

Sean said calmly, "You will become a general."

Juan looked confused: "I don't want to be a general." This poor Mexican bandit just made some money, took the lives of all his "sons", and finally became a hero of the revolution in confusion, really " Not worth the loss.”

The moment Sean closed his eyes, he successfully passed the fire of the revolution to Juan, completing the inheritance of the fire between the two men.

The next way to go, the ghost knows.

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Extended Reading
  • Jamaal 2022-03-19 09:01:09

    With the help of the film archives in Beijing and Paris, I finally finished reading Leone's Once Upon a Time Trilogy and the Red Dead Trilogy. I am afraid that the past series will have to be digested slowly, but the Red Dead series really has the spirit of no future in aesthetics, and it will always be an eternal textbook for genre films and commercial films.

  • Amiya 2022-03-24 09:03:36

    Great, getting better and better, ending abruptly in John's memory. The theme of "revolution" was a comedy from the very beginning. The first half of the film was full of gag, and it was very hilarious. What does a bandit who goes into battle with the whole family and a bomb expert with a mysterious origin have anything to do with the revolution? It was not until Hu An's family died in that cave that the audience began to face the topic of "revolution". The director's attitude towards revolution is undoubtedly full of idealism and reservations. History has proven that leaders who come and go are just one dictatorship after another. Would it be better for a bandit like Juan to become a general? Revolution is nothing but killing each other and taking turns. But the director repeatedly mentioned the distant and not-so-distant America through the mouths of the two male protagonists. It seems to be a beacon for all revolutionaries, and the revolution must be done in that way! This is the silver lining of the revolution. The whole of South America is in revolution, what is it like now? How much did it cost? What's the future? The director pointed out the direction painstakingly.

Duck, You Sucker! quotes

  • Juan Miranda: [looking through John's binoculars the wrong way] He says there's no danger; all you have to do is just watch the bridge from a long way. No matter how I look with them, I'm still too close to the bridge.

    [looks through them the right way]

    Juan Miranda: Why am I mixed up in this fucking revolution in the first place? Go ahead, you tell me God; what am I doing here? Why didn't you strike me dead instead of letting me say "I stay too"?

    [notices John walking away from the birdge]

    Juan Miranda: Oh-ho, look at him. Look at him! All because of him! He acts like a tourist that's going somewhere, only he's staying, eh, heh-heh! Look at him. What the hell does he care, ho-ho, he's having fun. Oh-ho-ho-ho-ho-ho! I'm glad he's having fun, God, because I am not having fun. Oh-ho. No! Hey, what's this?

    [notices John napping]

    Juan Miranda: Ho-ho, now he goes to sleep, eh? Go ahead, you sleep. Sleep. I tell you something God: when he's asleep, I go. Shhh. May the good Lord watch over you.

    [prepares to leave, but notices Günther Ruiz and his soldiers arriving at the bridge]

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