This movie is really compelling! The girl was brutally killed, but she has been roaming in a beautiful paradise in the "enchantment", where has her pain gone? Where did her anger go? Is this to tell everyone that it's okay to be killed, but instead they all went to a beautiful paradise? Especially at the end, many people interpret that love is more important than hate, so when the psychic girl can reveal that the body is in the safe, the heroine chose to use the psychic girl to kiss the boy? Excuse me? Are love and hate mutually exclusive alternatives? Why can't you love the people you love and hate the people you hate? Why can't the location of the body be revealed at this critical moment so that the murderer can be brought to justice, and why not find another time to kiss the boyfriend? Can't you?
The film's portrayal of the girl's mother is also poor. How can a mother just want to escape after her daughter's accident? She should be the one who wants to catch the murderer the most! Why didn't the father give up, but the mother not only didn't help, but also got angry with the father because of it? Is this a stereotype that women must be weak and men will be rigid when they encounter setbacks? Mothers who run away from home, mothers who refuse to enter their daughter's room, are you mistaken?
And Susan Sarandon's grandmother is still a grandmother, what's her role? Not at all!
Many comments are discussing the various techniques of the film. For me, this film cannot reach the stage of discussing professional skills at all, because too many mistakes have been made in terms of emotion and content, and there is no way to undo it. You are in the wrong direction. What's the point of discussing footwork?
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