A very embarrassing space drama

Deanna 2021-11-22 18:54:14

Film-noir monologues are inevitably superfluous, but they also invisibly lay the engine that drives the entire film. As a "traumatic detective", Pete calms the contradiction between existence and annihilation in the search for the vast sea of ​​stars, and ends the troubles. After his own "obsession case", he finally completed self-healing. Celestial bases and space stations are both clue locations, carrying types of entertainment functions, just like western gold rush stories or hard-core detective novels, just like common signs in works of the same theme in recent years. The infinite freedom of space in geometric modeling and spiritual sustenance gave Gray a new possibility to analyze and explore the materialization of the inner image of the characters, and no longer follow the trekking in the cities and jungles of Coppola and Herzog, which catalyzed it. The organic evolution of space and roles is unified into a more advanced audio-visual life, which can be seen from the conservative perspective of countless helmets, hatches, and pilots. The shining stars still emit classicism.

Bailee 2021-11-22 18:54:14

The second brush did not change much. Pete's performance is indeed quite sincere, but it is said that most of the monologue lines are added by the company, and I feel that there is too little information... Recently, space movies have been discussing personal emotions. Is the emptiness of human beings on the earth unsolvable... But in space Still not resolved. The soundtrack has nothing to do with it, no matter how the space film is shot like this, it’s really boring.