Life is full of chicken feathers, and beauty never ends

Julien 2022-01-26 08:44:58

Because Matthew Byrne was working on the dance version of the red shoes, he finally made up the original film and dubbed it.

The first impression is that it is no wonder that Marber likes this movie so much. Lermontov's concept of the relationship between music and dance is simply his own. Many of the episodes in the play are either witty or stronger than narrative, which are also very consistent with Ma Bo's style of painting.

Speaking of the film itself, the anxiety between women's career and family in 1948 has no sense of outdated today, and it is almost every woman's personal experience today. Some people may say that Lermontov's requirement that Vicky have to choose one or the other is too harsh, but even today, the bottleneck in the workplace after giving birth is still stuck in every ambitious woman (men will not have such concerns), Lermontov just spoke the truth. "(You can't ask him to give up his career for you,) Then why should he ask you?" asked the soul. Why?

Lermontov is indeed a ruthless and charismatic old bastard, a reassurance in the hustle and bustle, the boss every talented person dreams of. The more he takes art as a belief, the more intriguing and fascinating his hidden feelings for Vicky are hidden in artistic pursuits. When he asked Irina to come back, he emphasized that his subordinates should make a coincidence, but when he begged Vicky to come back, he directly boarded her carriage, and the difference was obvious. The cracks smashed on the mirror when he was alone are the cracks on his iron plate, and the selfishness gushing from below is either hot or twisted, and in any case, it is very charming. As he said, his jealousy and Julian are not on the same level. In this sense, Lermontov is not a shoemaker, but more like the little priest who finally devoted himself to the faith but still couldn't help rushing out of the church to hug the heroine.

At this time, I have to mention the above translation dubbing. No matter how far I can understand through English and subtitles, the impact of the native language is irreplaceable, not to mention such an excellent dubbed version! Teacher Qiu Yuefeng's Lermontov is sometimes warm and sometimes gloomy, with an almost morbid fanaticism hidden under his confidence. Finally, when he announced the commemorative performance, he was so hoarse and excited that his voice was almost broken. It was art! However, what struck me the most was Vicky's "Why are you alive?" Direct, short, almost provocative, even more straight to the face than the exotic tone.

The ending of the story seems to me to be a bit of a forcible "red dancing shoes" drama. The little girl was still too stupid. She could have understood that although both men had selfishness, Lermontov's selfishness was at least for her, while Julian's selfishness was only for himself. But no matter what the director and screenwriter's intentions, this film has successfully created a girl who has hobbies and pursues her dreams (you will find that even today's film and television works have hobbies are still so poor), and even if she is a hobbyist After sacrificing life, it still inspires many girls to fight for their dance dreams-because no matter what life is like, the beauty shown in the 16-minute drama will always be dazzling and captivating.

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Extended Reading
  • Eunice 2022-03-26 09:01:13

    I read it last night when I was insomnia... In fact, I think this story is meaningless, it's not that people who are engaged in art don't understand them. But the soundtrack and close-ups are used beautifully.

  • Daryl 2022-03-20 09:02:53

    8.6 She could have been a great dancer, one man ruined her, she could also be a good wife and good mother, but another man ruined her, she was burdened by Hong Lingyan, but when she took off When the shoes were red, it was when she died. The color is strong but not greasy, bright but not exaggerated, how comfortable it is.

The Red Shoes quotes

  • Grischa Ljubov: You can't alter human nature.

    Boris Lermontov: No? I think you can do even better than that. You can ignore it!

  • Boris Lermontov: You cannot have it both ways. A dancer who relies upon the doubtful comforts of human love can never be a great dancer. Never.