"I want to go to Dreamland." The beginning of "I want to go to Dreamland." ties Hollywood to "dreamland", and leading to Hollywood is a dream come true, especially in the scripts of Ryan Murphy and Ian Brennan. Ting's Once Upon a Time in Hollywood, they provide a revised history of Hollywood's golden age after World War II, they straight up fictitious the creation of a movie, and they rewrite the 20th Oscar nominees. Murphy and Brennan had an extremely idealistic image of Hollywood of that era, and to that end they devoted much of their time to racism and homophobia. Billy Wilder, George Cook, Noel Coward, Tallulah Bankhead, Vivien Leigh, even those names will delight movie history buffs.
But the fact and fiction are mixed up so that the multi-line narrative is often ambiguous. The fictional "Mag" in the play is based on a real event in Hollywood, 1932 when 24-year-old actress Peg Entwistle
Jumping from the Hollywood sign H for a career that didn't go well and committed suicide, which also led to the whole incident of several aspiring actors, writers and filmmakers in the show running their creative paths in the fictional film industry, but there are also A very hazy story. In a world where desire exists for almost everything except dignity, there are three real characters of that history based on race or sexuality, Rock Hudson, Anna May Wang Wong and Hattie McDaniel also provide this hazy story with real-life evidence of the injustices that were pervasive in the era.
7 episodes in the series, from the post-war town boy who is coming to Hollywood to hold on to his dream but stepping into another "dreamland" to maintain his life, and promote the development of various fields in terms of gender and racism, and finally focus on Emphasize the proliferation of homosexuality within the industry. When the focus shifts to filmmaking and acting and the studio, it's one of those rare things that the show deserves credit for, we jump back and forth between two pairs of actors in rehearsal, and we feel the pressure that actors are under during the audition process. , notices the fine line between success and failure, but falls back into the sex-driven inversion-plus-reversal stereotype. The dreams of those who are to come and the abilities of those who already exist are also on full display in the creation of "Mag". Those broken dreams were reconstructed on the way to dreamland, but the final rewriting of Oscar may have partly satisfied the selfishness of Netflix, who is eager for academic approval.
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