Forever Ozu

Ozu's works are also very lifelike. It tells the story of how a father got rid of the traditional habit of his parents' life and let his daughter freely arrange her own marriage. Ozu seems to particularly like the use of long lenses and the symmetry of the scene. In terms of characters, he still adheres to the consistent frontal shooting and low-angle shooting, and the characters are very tall, which shows the director's attitude towards the actors. Sad expressions and twisted expressions are never shown to the audience, but are covered with hands or sideways. Ozu's style remains the same. I also found that a characteristic is that he especially likes to use long shots to show trains or railway stations. Maybe Ozu likes to travel far, like to travel, this is unknown.

View more about Equinox Flower reviews