Extreme Industrial Saccharin

Marilyne 2022-01-27 08:06:23

It's a typical extreme mature industrial assembly line work. When watching the movie, I feel that the rhythm is smooth and natural, and when I think about it, the logic and settings are very nonsense.

But when I watch it, it is still comfortable to watch. For me, it feels better than when I watched the first part.

But it is not the beauty of the goddess that attracts me, but the paranoia of the villain.

I was destined to be disappointed when I wanted to see Gadot kill the Quartet. Although there were several fighting scenes, the final victory over the BOSS was achieved by a secret technique. In addition, the most interesting action scene for me is not the heroine but the little girl at the beginning. The goddess's new upper body armor looks like Pegasus, and at the climax of the fight I blurted out, "Water Monkey...!"

The love scene was handled quite naturally, but it was a bit unexpected. In fact, I think the ending of the first part was already very good, and the 70 years of unforgettable afterward was somewhat superfluous.

However, the breakup scene is very beautiful. The contrast between the long-term miss and the short and firm farewell brings the emotions of this section to the extreme. I even think it's better handled here than when escaping the boss.

The villains are very interesting: paranoia, neuroticism, high concentration, instant motivation, operatic hyperbole, religious coaxing... It's easy to think of a certain blond old man. It makes people suspect that there is a drama in the connotation: "You are a liar who has stolen the power of the president."

Arranging a point of inner softness for such a character is also to apply the fat tiger theory to extreme speed: giving the villain a humanized kindness can increase the three-dimensionality of the character.

Although the son of that man is not of the same race as him, he seems to have forced an Asian into it for the sake of balance.

I still have to say it again: the logic, especially the handling of the ending, is really crap.

Love can solve everything, people can give up greed, wishes can be corrected, time can be reversed, all mistakes caused by the evil of human nature can be made up, the world will be better because of a speech... This kind of thing is very good in fairy tales. The reluctance to appear in the super British movie will inevitably make people laugh.

But forget it, don't ask too much for industrial saccharin.

View more about Wonder Woman 1984 reviews

Extended Reading
  • Ona 2022-03-22 09:01:34

    The audience can go to the front of the screenwriter, which is a failure. The theme is too old and the layout is small. Destroy me Gal Gadot, I want to play both the director and the screenwriter.

  • Jensen 2022-03-23 09:01:39

    The movie martial arts is a mess, but the idea is full, which is too realistic. Pointing to a society that, under capitalism, technology, and power, feels that everything can be satisfied at once, to rally to defeat the enemy at once, we want to win everything, regardless of who is paying the price. But unfortunately the movie is a fairy tale. As long as you shout back your wish in the movie, everything will return to normal. But in the real society, the oppressed, the prisoners, the dead, the wealth deprived, the dignity taken away, nothing can make everything return to normal immediately. Everyone feels, now it's finally my turn, why not?

Wonder Woman 1984 quotes

  • Wonder Woman: [in tears] I can't say goodbye. I can't say goodbye.

    Steve Trevor: You don't have to. I'm already gone.

  • [Asteria prevents a pole from falling and crushing a child in a stroller, then walks on]

    Grateful Parent: [to his mother] Mom, would you take her?

    [turns back to Asteria]

    Grateful Parent: Umm, excuse me. Excuse me. Please, you have to let me thank you, Miss...

    Asteria: [turns and smiles] Asteria.

    Grateful Parent: Asteria? Wow, that's a beautiful name.

    Asteria: [smiles] It's from my culture.

    Grateful Parent: I can't thank you enough. I mean, you saved my daughter.

    [confused]

    Grateful Parent: How did you do that?

    Asteria: It's just a simple shift of weight. Takes practice. But I've been doing this for a long time.

    [smiles and winks at the audience]