I watched the second half of the movie four or five times in three days, and I really liked it. The story of Paris and Rebecca's mutual redemption. Rebecca lives an orderly life but represses a silent desire for passion; Paris is a self-respecting, arrogant, tender-hearted person who is trapped in the experience of slipping his lover to death.
Rebecca escaped several times before and contacted Paris. Although she was afraid of nervousness, she always had an indelible desire, and she was interested in Paris. For the fourth or fifth time, Rebecca fled in embarrassment after the kiss, which was too shocking to her repressed personality; but before leaving, she looked back at Paris, still yearning. Paris also saw Rebecca's contradictions and struggles, so she was sure that Rebecca would have another appointment or that she wanted to give Rebecca another chance. But Rebecca felt embarrassed and felt as if Paris was in control. Even so, he went straight, but he still failed to break through the psychological barrier, and Paris was disappointed. Finally she heard her daughter say "never too late..." and she realized again that I really wanted to play with Paris. (Before throwing the ring, Rebecca actually reverted to the kiss of Paris at a family dinner, and that has completely changed since then.) Finally, completed the first orgasm in her life. She shed tears of joy.
For Rebecca, she has always said that her life has always been in pursuit of perfection. A woman who pursues perfection has never gotten love and passion. She knew that she had cancer (note the doctor's words in the film), but she was about to die, but she just lived her life like this, and she was very unwilling to beat her heart. Rebecca is so shy and repressed about sexual liberation. At the same time, she is also a very assertive woman in other aspects. She concealed her illness for so long and revised her will to distribute her husband's wealth to her children. Sex, for Rebecca, can be said to be one of her biggest life shortfalls. And Paris guided step by step to fill in this blank.
And Paris, from the previous episodes of her relationship with her lover, she has always been very arrogant and still a little girl at heart. She needs someone to take the initiative to open her heart. The memory of losing her lover's death, the lost and unrecoverable time with her lover, is always entangled in her heart. So she said "get back", she didn't want to be addicted to it all the time, she needed to adjust, she was helpless. Rebecca understands that she doesn't really like the job, it's just that Paris, alone, has no other choice.
As Rebecca tried to proactively enter her heart, Paris knew "it's time to let others know about the process". During foreplay with R, she stared at R and said "its not about me." She finally broke the shackles of remorse in orgasm. Only by breaking that stubborn vase, can a complete new life be put together again.
The sex clip has religious bgm, suggesting the mutual healing between the two people. In philosophical discussions, sex is close to the death instinct, close to the divine. Rebecca unleashes the passion, Paris unleashes the pain, both had been so repressed.
And then looking back, why Paris and Rebecca can achieve such redemption. In fact, when the latter two started exchanging personal life information, it was clear that they were both distracted. Paris is a smart and intelligent person. She has met all kinds of clients in the past five years, but only Rebecca is sincere and worth relying on. P wants to comfort and pity her. And the two are so similar that they fit together like a jigsaw puzzle, sparking a strong chemical reaction.
(I have to say that P really looks like a dog hook when he is in love, and his eyes are so cute. I feel that this film is the Yan Dian of Jessica Clark (player of P), and Hei Changzhi is the most suitable for her. The voice is also So magnetic, that moaning "ha" with a laugh, so sexy. I've always loved Paris.)
a perfect ending, can be said to be really perfect. There is a big age gap, class, and family between the two, and there are great contradictions. If Rebecca continues to develop without dying, it will not be as hot and sweet as this. Under such a dramatic contradiction, either leave or die, and only R dies, which sublimates the relationship between the two, and gives P a real restart of life. The same is true. When she dies, she maintains her reputation and her family. her love.
The plot and even the lines admit that it is very soap opera. It is indeed a very idealistic film, and it can also be said to be very romantic; but the casting of the actors is very suitable and very responsive; the sex clips are very sexy. Regardless of the reviews, I love this movie.
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