As far as the plot is concerned, I know this film too well, so I looked back at the director’s school and focused on philosophy. I gave up on that scenario.
The heroine of "Focus"
No Country for Old Men's Killer Male Protagonist
The most attractive to me is these two, and the two actors in the two films I have watched make me able to continue watching.
Many special scenes in the film are empty shots
There is this lock bridge in the finale of "The Four Horsemen". I don't know if you are impressed!
In this empty mirror, the water in the sky shows the clouds in the sky. I don't know what this means in philosophy...
It feels a bit that the director borrows the scene to narrate, and then expresses it in a philosophical way.
Or the lock bridge?
I keep thinking about that baby-headed killer who suddenly became godfather, alas, it's a little bit unacceptable.
I took this one. (Muddle through)
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