As a cool movie that can be watched without brains and logic, Promea is very qualified. The advantages and disadvantages are very clear: the art style is unique, Sawano Hiroyuki is very good at creating epic bgm (Awakening makes me shudder, Ashes makes me cry. Although it is very vulgar, it is difficult for people's emotions not to be manipulated by music) and intellectual Plot, awkward and deliberate lines.
At the beginning of the plot, the picture is full of colorful and colorful geometric color blocks. As the Burning Race is persecuted, the world gradually transitions into a black, white and gray picture. After defeating the villain, liberating the Burning Race, and saving the earth, the world has returned to its beautiful colors. piece. Of course, Promea is not the first film to make a fuss about the color of the picture, so some comments don't have to call it the founder of the mountain. Without research I can think of "The Shining" and "Under the Berlin Sky". The changes in cold and warm tones are just basic introductory skills. Kubrick uses red, yellow and blue to influence the audience’s subconscious perception of safety hazards, which in turn facilitates him to manipulate the audience’s emotions. Under the Berlin sky, black and white pictures are used to symbolize the world seen by pure and rational angels, and colored pictures are used to symbolize the world seen by angels who gradually fall in love with human beings and learn "emotion".
As for the plots of Zhizhi, I will not list them one by one, and I will complain when I am bored. But when I watch it, there is nothing new in the plot, it is all predictable and excavated by other works. The whole plan to give up Earth and save only 10,000 people reminds me of "Interstellar". And kray as a big villain also reminds me of Matt Damon's role in interstellar, the difference is that Matt Damon was sincere at the beginning for the sake of mankind, and became selfish and fallen under the oppression of loneliness and fear; and kray from the beginning A selfish and hypocritical careerist. In contrast, this villain's excavation of human nature is slightly weaker.
It can only be said that the trolley problem is a brick, and it is a direction that directors and screenwriters can't go wrong when they need depth. But Promea's eight-legged script is good-looking, and the content is quite mediocre.
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