I shook my head, turned upstairs, sat in front of the computer and watched cloverfield in one breath. The moment I turned off the storm, I suddenly realized that the moment the first child raised Ultraman, the disaster movie was born, and we were addicted. With the world’s best images and the sound of big firecrackers, I look forward to Ultraman to rescue us, or simply choose a handsome guy to directly top it, so happy that I forget that the world is just a barren alfalfa field from which we can’t escape. There are no monsters. There will never be salvation. Open the window, there is a mess on the sand, and the little kid is long gone.
Cloverfield’s monster likes to cruise around the city like Ultraman’s opponents. It appears inexplicably. Before Ultraman appears, it will routinely fight under the aura of immortality. The American soldiers and the small Japanese masturbation team will be ignored for no reason. . Therefore, the pseudo-DV subjective shots of the movie attracted me from the very beginning. Although the once-fantasy oliver stone-style stylized shots did not appear, when the DV was swallowed into the monster body, it was spit out intact and fell quietly. I was content when the autofocus function was swaying between that person's face and the grass next to him.
In a childhood drama, the scene where the monster appears must be a panoramic shot. On a large table, there is a model of the city made by the director and his son with foam. A few actors next to it are holding a fishing rod and tail. With a plastic plane hanging from his teeth, another retired shadow puppet craftsman manipulates the monster, and the film is exposed 24 times a second. The small song written when Hisaishi let his grandson eat too much constipation is a big scene. Cloverfield looks gorgeous and gorgeous. At the beginning of the scene, he threw a large metal block out of the night. After three rounds of wine, he polished it several times and clapped his hands. Oh, the head of the Statue of Liberty was gone. The argument of the red and expert world history teacher, this must have been done by the British, destroying the friendship between the people of France and the United States, and avoiding the emergence of a powerful force in the European continent). After thinking about it carefully, pretending to be a DV filming is as uneasy and kind as Little Japan. I don’t want to picture anything. I just want to make a cheap picture. The monster is here and I don’t need to shoot. I’m so scared. I want to run for my life, and finally gave the monster a close-up. In a few seconds, whoever hangs up, it saves trouble. I fucking hanged up, and I took a picture of the bird and stopped. What's even better is that the public opinion has also been dismissed. Today's young movie youths are enlightened. You can call me pretending to be forceful. I have enough time. I still have a lot of money to count.
-------------------------------The dividing line of narrative pretense------------ -------------------------
(naturally after the dividing line) Of course, pseudo DV subjective shots inevitably contribute to the connotation of cloverfield while saving money Certainly limited. The first to bear the brunt is the savior represented by Ultraman and the inevitable absence of the last-minute rescue. In the beginning, it took more than half an hour to set the tone of civilian narrative and lowercase history. This is a very good portrayal of this posture), and the male number one does not have superpowers, which is doomed to not be saved in the end (you can never let the male number one be left aside in front of the female number one to let another person fully volatilize Hormones), so the protagonists can only climb up to the Twin Towers (a metaphor) to pull the heroine out of the steel bars, and nothing more.
This kind of plot is boring, not as comfortable as the Ultraman-style drawstring panorama. But this is the difference between uppercase history and lowercase history. A few years later, if you want to know about this monster attack in Manhattan, the official explanation must be clear and there are many choices, new history, almanac school, Marxist history, comparative history, psychology Historiography, Quantitative Historiography, and the Society for the History of Cultural Forms are busy trying to give you the clearest and most logical clues of historical development, and return you to the truth so that you will even know the truth of the matter better than the parties involved. The lowercase history is very incomplete, chaotic and dazzling, just like a DV made by a person who doesn’t know how to take a picture. Those who don’t have time for "aura" to take pictures on a memory stick are not good at all. You don’t know what to do after reading it. Yun, I don't know what happened, or even what the monster is or where it came from. The only gain is the poor truth.
Therefore, when the hero and heroine hid under the bridge and hurriedly told the world that I love you and I was buried, I was really moved. This kind of blunt and impatient confession was better than Jack lying in Rose’s arms. After being clear, choose a good-looking pose and sensational passer-by to be true. The poor and ridiculously pure and short persistence in the dirty, fucking and hypocritical world, this is the love that lays on the bed after undressing, washing and drying, it is so real, so weak and so real, so much so The people who fell into it before being eaten by the monster can only rush to tell the one beside them-"I love you".
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