For joy geometry?

Jennifer 2022-01-29 08:08:19

A five-star rating is a bit high. But it's rare that it suits my taste so well. It's not an exaggeration.
The translation of Floating Life Ruomeng is really good. Although Li Bai's "Spring Night Banquet in Taoli Garden" is a work of coping. But it's just the beginning. Absolutely classic.
Actors were chosen at the beginning. Several investors were discussing witch's tit. Ah. Reminds me of Catcher in the Rye. I remember how Salinger described it as cold. Penguin shit.
Director, sex, alcohol, drugs. It seems like a two-way plug in speech. Died early. I almost thought I was talking about fassbinder.
All that jazz. Here jazz is reinterpreted. on the road to the readers, or viewers are beyond the One beyond grammar and real rhetorical concept of an abstract language meaning attached to language as a hidden, not pry parts exist.
because plain, so I can still look back and think about it from time to time.
I quite like musicals.

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Extended Reading
  • Brady 2022-03-23 09:03:16

    Best private film history musical. 1. The cognitive process of death is compared and strengthened many times through the form of play within play. 2. Artist talent/private life, medical staff and stage characters have been split and overlapped many times. 3. Break free narrative and editing. 4. Stage mirroring. 5. Confession to the angel/floating away; "I don't get married anymore because I haven't met the woman I hate so much that I want to torture her with marriage". 6. Musical films, please be sure to give them to those who love them deeply. (9.5/10)

  • Burdette 2022-03-27 09:01:20

    It's still a little less amazing than the previous Cabaret on the big screen, but I like this interpretation of death: it's too distracting and it's a little heavy to watch. It turns out that "Requiem for a Dream" pays tribute to the film's so many contents and shooting methods! PS. "Is loyalty really such a good quality?" Hahaha...

All That Jazz quotes

  • Jonesy Hecht: [during a preview of the Air Rotica dance number] Uh-oh. I think we just lost the family audience.

  • Davis Newman: I'm telling you, Gideon, I got real insight into you. There's a deep rooted fear of being conventional.

    Joe Gideon: Right.