Samsung's fineness, optimistic about the final stable between 7.2-7.5. The current reputation is small, which shows how the previous DCEUs have tortured you all. This baseline diving is so unpredictable that it's so overwhelming.
The ideal feminism should be to recognize women’s physical differences and emotional focus, affirm women’s independence and talents, and give women the rights they deserve. From this perspective, the theme of “winning respect” throughout the film is very important. Unity also convincingly interprets the theme of "Even gods need to fight themselves before they mature".
But except for WW who is a perfect person, other female characters are designed to be very facial and negative, like a magazine that tells you "you are beautiful" on the cover or a sexy girl, there is a chewing betel nut-like evil. bitter.
The fighting scenes were designed with great care, and Jiaduo's skill was good; but the whole line of slow motion was used as soon as the move was made, and the realism was lost. The whole screen was "look at my beautiful concave shape".
Gadot's acting skills are nice and "there is room for improvement", and if it is not good, it is "a machine that is beautiful and knows how to be beautiful and then beautiful your face". The characters are slightly flat-if the beautiful girl-like drunkard is not intended The innocence of wine is still cute, and the final climax is a bit of forcing ups and downs of views for the completion of personality reshaping, and no matter which point of view it is, it almost feels like meaning.
Seemingly procrastinated, the plot also made a self-defeating repetition-Ares does not exist, human beings are fighting on their own, so far, it is too deep to be unnecessary; As a result, Ares still falls from the sky, divine and human. Confrontation ended in two gods disagreeing and ruining the world. For the rare shining points of the typicals, to condone the malice of human beings towards each other, and not to teach them to be humans. Probably a kind of "God of Doting". The big villain really wants to be black-bellied and purely provocative, so why do he want to jump out of the second half to give people away? What is the use of such a big villain who is both weak inside and outside, who is not convinced and can't fight.
It is great to choose good after seeing the evil of the world, but the inability to do so makes people realize that "evil" is deformed heroism. In the end, it was really because of killing Ares that the soldiers of Britain and Germany reconciled at the speed of light and embraced each other. To put it bluntly, they deny the initiative of human nature and become a god's slaying ceremony. Very dissatisfied with this.
On the other hand, Pine's branch line is much better. Although gods are powerful but oversight, mortals fight and sacrifice with a force of make difference. Courageous, determined, unyielding, big love and small love are both taken care of, it is a full-level little angel. "I save today, you save the world", this little person's sense of responsibility is really moving. In the end, it’s okay to fall into "The point is not whether it's worth it, but what you believe in" and "Love can change everything". The only embarrassing point is that I understand the truth, but it is really stupid to say it in lines.
Then it is estimated that there is really no role to divide. The role of the three comrades-in-arms is pointed out, but the interpretation is dispensable. Dr. Poison played very delicately, and I almost thought that the expense line would eventually be a sudden stop.
DC took a few steps on the road of darkness and sociality. After being covered with a mad hammer, DC offered such a “Marvel-like” second film, which was either lazy or really hurt the audience. Heart-if you want to see simple and rude calling for love in the center of the world, I will give you a heroine shouting a slogan.
How should I put it, DCEU has learned well and used a very basic technique to make a very easy movie, but I am really disappointed.
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