And ls is much simpler. Several of the protagonists in it have to worry about rent when they go out to fight (although I think they live in not bad). The show is more traditional in its narrative style, and the traces of the plot are sometimes too obvious (such as obvious coincidences to promote the development of the plot, such as supporting characters must only appear in four episodes). I see it oscillating in two ways: is it a plain story about the life and love of a group of ordinary lesbians, or is it an attempt to place lesbians in the wider society and think about their situation? In order to balance these two points, the screenwriter simply summarized the two parts, but with only six episodes of capacity, its exploration of the depth and breadth of these issues is obviously at a disadvantage. Sometimes there are too many trivialities that seem unrelated to the main line.
The screenwriter will place the relationship between les and society on tess, a character with traces of alice. She has girlfriends who are afraid to come out because of her social status, netizens who want to use les to improve their relationship, ex-girlfriends who married her, and finally a black girlfriend (same as Alice). Outline the fragmented condition of the British les. It is impossible to discuss each situation in depth, only to point to it.
On the other hand, it tells the stories of several people. It has no ambition to tell the story full of dramatic conflicts, nor does it intend to make moral judgments. It just shows that everyone can’t help themselves when faced with erotic desires. Reason is always weak. So ed knows that tess is les and still has a glimmer of hope to confess, sadie from one night stand to the fall of frankie, jay and frankie are in circles (this is scumbag), cat can't let go of frankie even though he has sam, frankie knows that he is scum and scum Cowardly, not worthy of cat at all, but still go to her again and again. As for the moral angst, leave it to the next season (if there is one), anyway in episode 6 it's all done (except for poor sam). Partly because the writers are not sure about the next season, so they try to give everyone a good home.
Frankie uses sex as a drug, as a tool to escape and anesthetize reality, find someone else every time she gets hit in a cat (this happens in every episode, and it's where the screenwriter's skill is immature), and every time she wakes up, she gets more self-loathing. cat feels extremely guilty about cheating sam on his own emotions. In order to make up for this spiritual derailment, he uses sex as a tool of compensation and apology every time (the same happens in almost every episode). cat and frankie are a real pair in the sense that sex is never considered sex itself. Of course they finally let sex go back to sex in episode 6 and became a footnote to love (except for betraying poor sam).
The show still can't escape the stereotype of attracting attention with sex, when the actors are not so professional. Although it seems very enthusiastic, but the eyes are not strong. Most of cat and cop can be omitted. The key is to create an ambiguous atmosphere. I want to come to the screenwriter who appreciates cat the most, so I put most of the warm scenes on her, but she actually exerts the most force on frankie. One aspect is that her passion scenes are a little provocative and devious in the early stage. You can compare the foreshadowing in the early stage of fs, just using eyes and few words is enough to create enough ambiguous atmosphere.
Finally, let's talk about frankie. As a kind of butch, it looks good, thin enough, tall enough and flat chested (except sometimes walking). The previous works have all appeared with blonde long-haired beauties, how to achieve such a transformation? The curvature of ls is far less than that of tlw, and it is inevitable that a straight person can play les, which is the limitation of eyesight and other aspects. Sex is like grammar, as long as you master it theoretically, you can’t go wrong. Eyes, gestures, tone, etc. are like idioms. The degree of mastery of a language does not depend on whether the grammar is accurate, but whether the language is authentic. How to express a kind of ambiguity, metaphors and hints, a state of subtext at any time? Expressing a feeling of longing for the other person's body? In most of the emotional scenes with cat, Frankie's eyes are not deep enough, and the love is not very strong. Especially after the sixth episode crossed, why is the tone of your eyes so indifferent? There should be a sense of confusion and happiness when drunk, and it would be better if it was mixed with a little sadness and helplessness. You can compare the tone of Maud's eyes and the tone of Maud's eyes when he woke up the next day with Sue in FS.
In the end, the songs of British dramas are all very good, but unfortunately I can't explore their cultural metaphors without researching them. As for other metaphors it may contain, I consciously have no power to explore it, and only wait for more professional textualists.
Ruta said that Frankie is completely different from himself. He is also a sam party. He thinks cop is very hot. We all know that. A literary youth who loves to play Twitter, photography and music. Lithuanian origin, the name means rue, the national flower of Lithuania.
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