To be honest, there are a lot of scenes in the movie that make people jump a bit. The beginning and the end of the film are very classic. As for the plot in the middle that is similar to the revenge of the Count of Monte Cristo, I really disagree. As for the description of ghosts, there are also various bugs. The bridges of haunting, psychic, and upper body are very unprofessional in the eyes of Asian people. For Hollywood, ghosts are, after all, an exotic from East and Southeast Asia. Although this part of the jerky content constitutes the main body of the film, it still cannot be classified as a bad film because of this.
Because of the beginning and end of the film.
It begins with Sam and Molly moving into their new home, the sculptor Molly doing pottery late at night, Sam hugging her from behind, their hands clasped on the mud and water turntable. The plate on which the pottery is placed keeps spinning, the record behind him keeps spinning, but time stands still. In this Unchained Melody, the love of two people is completely immersed in the music like water, and together with the moonlight projected at night, it constitutes an extremely beautiful picture.
At the end, Sam, who has become a soul, finally protects his beloved. His long-cherished wish is over, and it is time to go to another world. Molly finally sees Sam who has been silently guarding her in the light of heaven. Molly and Sam kissed and said goodbye when they parted. Goodbye at this time, it is already forever separated, and they will never touch each other again. Unchained Melody sounded again on such a moonlit night. You finally understand how touching the lines "I am hungered for your touch." and "God, speed your love to me" are.
The magnetic male voice in the song is long and melodious, just like the soft and warm white light at night. The delicate but long love between this pair of lovers separated by life and death is not the same.
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