However, the action scene is just a lyrical way of this film, just like Deng Ziqi always soars to arouse your goose bumps, its many shining points are still waiting for you to slowly dig.
First of all, from the perspective of an actor, it must be Uncle Tang that impressed me the most. Unlike many cute girls who watch idol dramas and pretend to call "Ouba~", I am purely a role played by him. Attracted by personal charm, of course I do not deny that he himself is very manly and charming. Uncle Tang played a very complicated and contradictory role in his inner world and always trapped himself in a contradictory situation, such as the conflict between him and Shengyuan’s enemies and friends, his "hatred" and "atonement" with Duxiang, and finally he wanted Fight to the death with cold weapons and the hot weapons corps trained by yourself. The first time I was moved by Uncle Tang in the play was when he fought a trapped animal after his defeat in the first battle. The hunting and hunting of the white tiger flag brought out his unyielding and backbone. Later, he singled out a samurai in "Peach Blossom Spring" with a wooden knife and was beaten to the ground again and again, and got up again and again. My clumsy pen cannot produce flowers, all I know is: this is a man! It's not the soft cock and little white face that I have seen in reality! Unfortunately, in the end, Uncle Tang just waved his sleeves without taking away a cloud, admonishing me "Don't be obsessed with brother, brother is just a legend."
The second character that made me applaud was Doxiang. Each and every shot of this film can reflect the strongness of the film. The director or screenwriter very cleverly arranged the role of Daxiang, who is soft on the outside and hard on the inside, to maintain the balance of rigidity and softness, but also to enhance the film. Quite a lot, at least attracted a large number of male votes to fill the box office loopholes. Duoxiang, a woman whose every move is a pleasing picture, made me, a pseudo-man, want to get back to her mother’s womb and re-behave. When she accepted Uncle Tang’s apology, I unconsciously remembered the "Han Zhu Ge Ge," which will be broadcast on Mango Channel during the summer vacation. A line from Ziwei: "Tolerance is the greatest virtue in the world." It's no wonder that Ziwei could finally "surname Fu". It's no wonder that Tang Shu was willing to become the legendary Pi Dian Pi Dian and ran back to the tender hometown of "Peach Blossom Spring" to find him. It's no wonder that I still can't make a boyfriend.
The sensuality of foreigners shooting women is nothing more than taking a bath, going to bed or running out. Fortunately, the director Edward didn't do that when shooting Du Xiang, otherwise it would be another "Memoirs of a Geisha". The two scenes of Duoxiang washing her hair and changing clothes are so subtle that I can't sit still for a fake guy. Sure enough, the sexiest thing is not to be stripped and let you see enough, but to show the unrevealed amorous feelings.
The third is Shengyuan. As a former hero of the current rebels, it is a commonplace talk. Any "Nine Dragons Seizes the Prophet" can bluff a Chinese female audience into a daze. The Four Masters and Eighth Masters are still fighting for life and death. The so-called hero meets, hates and cherishes and cherishes each other, and finally the family fell in your arms and told you to live in your place instead of me. What, my ashes-class senior rotten girl did not dare to have YY from beginning to end, which proves that Master Shengyuan has shaped it. The image of the glorious samurai is not to be desecrated.
From a macro point of view, at the end, the emperor of Japan completely said "Don't forget the original" and "Criticize and inherit the tradition", so let me talk about other things. From "Memoirs of a Geisha" to "The Last Samurai", American foreigners seem to like to take pictures of ancient Japanese things, but about China, I only think of "Kung Fu Panda" and "Mulan". When "The Story of Saiyun Kingdom" was broadcasted, some people said that Japanese people understood Chinese history to a heinous level. Like the earlier "China Little Master" and "Dragon Ball", as a Chinese, I feel that I am not as good as Japan. People understand their own food. Of course, not all Japanese can recite Chinese history, nor are all Chinese unable to deeply understand their own culture. I just think that as Chinese, can we do better in this regard?
Finally, about cold weapons and hot weapons, about old civilization and new civilization, about barbarism and civilization, this film can give me a lot of thinking. If the so-called civilization is just wearing a suit and dress, drinking red wine and sitting in a car, I would rather go back to the countryside to farm, weave and raise a baby to be isolated from the world; if the biggest use of hot weapons is to kill people and headshots for political cleansing, I would rather use a samurai sword Chai cut wheat digging pits. What should be discarded, what should be kept, and what should be collected on the road to civilization is an eternal topic worth thinking about.
-Shesdiri-Cocovenus
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