like the day and the darkness of night.
Dawn of the Planet of the Apes has a strong tragic color. From the beginning to the end of the story, no matter what determination and hope the protagonist holds, he can't reverse a single bit of destiny.
At the beginning of the story, Maurice the orangutan asked another orangutan: Are you still missing them? The other orangutan nodded, "But we haven't seen them for two years." What we saw later was that by accident, Carver injured the orangutan and triggered a confrontation between the survivors and the apes.
The encounter is accidental, and mutual injury is inevitable. The subsequent development was almost a repeat of the first encounter between the two sides. Repeated misunderstandings continued to deepen the gap between the two sides and eventually led to a full-scale war. On the surface, the cause of the war is the lingering fear of mankind towards the ape flu and Koba’s hatred of mankind. In fact, the cause of the war is the conflict of interest between the infinitely expanding humans and the apes under the limited resources. The goal of mankind, through the hawk Dreyfus Dreyfus among the survivors, said: "Go back to the past", and the goal of the ape race is toward the future (Caesar: war with humans, we will lose our family and home And the future). Human beings need solar thermal power, and even the right to rule the entire earth. The apes do not need these, but they need freedom and equality; the fundamental interests and ultimate goals run counter to, whether it is a dove like Malcolm or a reform like Caesar Caesar The faction was unable to extinguish the growing flames of war, and the tragedy became inevitable. One source of the tragedy lies in the contradictions under limited resources.
"The war has been going on, but we chose to ignore it, but at that moment, everyone understood this fact."-This sentence in A`Z can be said to be the best interpretation of the ending of the film. Both Malcolm and Caesar are idealists. They believe in "trust" and believe that even between two races that were once full of hatred, they may learn more than hatred. However, the world has never been what we thought. The ape tribe will also be a killer to the same kind. Human beings cannot trust the alien race. Neither man nor the ape tribe can forgive them. The fate of tragedy cannot be rewritten.
From this perspective, another source of tragedy lies in estrangement. It's not that you don't want to communicate, it's not that you can't communicate, but even if you communicate, you still can't reach agreement. This is "estrangement." As the fire of destruction, estrangement is not only buried in the relationship between humans and apes at the beginning of the film, but also in the two civilizations. Human civilization contains such self-destructive genes from beginning to end: a huge society consists of tiny individuals. Composition, but even if they have lived together for decades, they still cannot eliminate the estrangement between them and any individual. Malcolm had to meet his former comrade Dreyfus Dreyfus. Caesar had to kill Koba, the savior and killer himself, and Malcolm and Caesar, who had almost eliminated the barrier, could do everything they could. All he did was just say a little "Let's go, before the war started", then turned and left, and then hugged his family.
The song sings:
We still insist on waiting for each other in the same place and stand each other
into two worlds.
You will never understand me. Sadness is
like the darkness of day and night,
like the eternal burning sun. You
don’t understand the surplus or absence of the moon.
You will never understand me. Sadness is
like the black
humans and apes who don't understand night during the day. It is day and night. When Malcolm's lonely back slowly faded, I heard such an elegy.
The special effects of the film itself are amazing, and the number and detail of the motion capture are more abundant than the previous one, which is reminiscent of the setting of the end of the United States, and the action scene of the San Francisco offensive and defensive war is even more amazing. The use of contradictions to mobilize the plot's proficiency, when Coba shot down the arsenal guard, it was really shocking.
Wanda’s viewing conditions are first-rate, great!
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