that don't fit in. I feel the benefits of this movie. All kinds of gorgeous scenes, sets, and characters created by art are very good, and I really enjoy the effect just by looking at the effects. In the first ten minutes of the film, the pureness of each part made people feel very comfortable, and I thought, this is Li Xuejian's version of Water Margin with today's first-class art director. For the acting, there are only a few great parts of the whole movie. Perhaps the most interesting thing is that at the beginning of the film, He Zhengyu delivers to the official's house. Because the wages he paid are too small, he immediately crouches down in frustration, grabs the leaves and complains. The expressions and actions are very appropriate, and I can't bear to praise this place. In other places, the scenes specially created by the artists are thrown away, and there are few wonderful scenes.
for insufficient. In terms of shooting techniques, after watching the whole movie, it is as awkward as eating Asian dry food and drinking Western coffee at the same time. There are several shooting methods for the appearance of the dragon set, or the method of completely copying the Hong Kong martial arts film in the 1980s, which was instantly pulled into another field and nauseated. The snow scene shooting is copied from Japanese movies. For the movie, it is divided into three separate paragraphs to introduce the plot in a monologue. The first paragraph is acceptable, but after that, it feels like trying to stuff something into my head. In character fights, street fights, and scene moves are copy, copy, plus copy. Leaving the protagonist aside and relocating scenes from other Korean movies may not find the difference. In terms of character, there are few changes in the roles of the supporting characters, and there is not much difference. However, the character change of the character "Inversion" is not very logical. From the wooden stupor in the early stage to the sharpness in the later stage, it changes when it is said to change, and it is hot and cold. Musically, a standard Asian costume drama, when it comes to fighting alone or doing justice, has the soundtrack of an American western cowboy movie, how does it feel? Rock, drums, electric guitar, it feels like playing Bond.
Do not deliberately speculate on the purpose of the director to make such a tune-up film. Movies don't have to be step-by-step, just do what you should do. However, a movie that is so suitable for the overall style of Korea - a movie that only serves the appearance, is like a face that uses the nose, eyes, cheekbones and lips of different races, and is pieced together by powerful Korean plastic technology. Get on the makeup technology that Korea is proud of. I thought I would once again feel the simplicity of "The Bow" as a typical Korean movie, but I was inevitably disappointed. Two directors who are ten years apart may not need to compare or have any expectations. Give it two stars.
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