[Just to give the director 5 stars] Hurt and redemption in the name of love

Amara 2022-01-29 08:10:21

The father's atonement, the daughter actually gave up on herself very early, self-righteous adults and seemingly evil children, what everyone desires is not desire, but love (although the word love is unexpectedly vomiting). After going through a lot, I found this film to be understandable. Why did the police officer on the other side (the handsome uncle Rang) broke his wife after he found out that he was a bad person and then broke his wife, because he was afraid to face it, and because he loved me so much, I don't want to see you anymore.
Regarding Kanako, she has never been cared for or loved seriously. She has already closed the door to everyone in her heart, and she will not be kind to anyone. The most important things are broken, and her most important beliefs are gone. Of course, it doesn't matter to anyone or anything. Her willfulness and cruelty coincidentally coincide with me at a certain stage. Really, sometimes, it doesn't matter if anyone, including myself, dies.
Everyone longs for love, and this sentence excludes Kanako. Kanako is the most pitiful, she no longer longs for love, after the death of her beloved Ogata, she has long decided that she is not qualified and capable of love, so she laughed wildly and cruelly, even though the teacher's screwdriver had been inserted into her neck, she was no longer afraid of death.
Humans are really incomprehensible creatures, longing for love and afraid of love. Papa in the film and the villain played by Uncle Jean are such people. Getting along with people is really annoying, friction, grievances and quarrels are constant, and sometimes I feel that a person is actually more comfortable. But at the same time, under the seduction and temptation of "love", we go into this dangerous relationship again. It would be fine if there was no love.
For children who read fairy tales and are still immersed in them, please don't simply complain about this movie, and don't watch it purely as a cult movie that sells blood and meat. It is only easier to understand when you have a larger life encounter. Therefore, I became more interested in director Tetsuya Nakajima. When you feel that the characters in the play are inexplicable and bizarre, please don't define them easily. As long as you think that they do it for granted, you can really understand
that the more you talk about it, the more you feel that love and hope are sometimes really bad things. Born to know that this world is a reality without love, how can there be expectations and desires, and even disappointment, despair, and "it doesn't matter".
Love is really the ultimate culprit that makes people feel cheap. Even if she calls her daughter a "beast", every time she is beaten until she loses consciousness, the "I love you" that her daughter tells in her ear is still given over and over again. With papa courage and hope, to find her, find Kanako.
Regarding a small detail, my mother said that she laughed when she saw papa knowing that her daughter was taking drugs. I think this smile is very complicated: 1. It is to laugh at how you, a self-righteous woman, did not take good care of your daughter who "values" so much; 2 I laugh at this point without my papa daughter; 3. I laugh at myself for not fulfilling my responsibilities; 4. I am laughing at how I can get in touch with my wife because of this incident; 5. I am laughing at myself. I love my daughter and wife, I have to admit it.
To be honest, I don't really like that others always use "Confession" as a yardstick to measure the director's other works. If he really does it like a confession, it is estimated that many people will complain "How can it be the same as a confession? Nothing new." I saw that the director presented a lot of new things that I didn't expect. This is precious. It's not that the audience can shoot whatever the director wants to see, but the director has provided us with new thinking.
The director is very merciful, and the filming is so "Quentin", I think it is a kind of protection for the audience, because the absurdity is not realistic, so as the audience, we will not suffer too much damage. But I think the director actually showed a lot of everyday things as well. [If someone always demands the authenticity of a documentary film as a creative work, but I think you will really lose a lot of the fun of watching a movie]
I always think that criticism is cheap, so I just want to give the director 5 stars. [B station last night to see the above super-card, ready to roll up today to download it again, of course, this is also very good original, deep-cho Akio works, we have time to read the original content should be more full]
written some Messy, please tap, please communicate, basically none of the children around me watch this kind of film.

View more about The World of Kanako reviews