Everyone will have a complete emotional sacrifice in their life. Before that, it seems that they don’t know their bottom line and they are unreserved. They are all sensitive and release all their passions. as if it were its own limit. After that, the lucky people learned to suppress and restrain themselves, and learned the simple and long-lasting self-protection; the unfortunate people, at that moment, either mentally or physically, have died. At that moment, Camille turned herself into a sculpture and sacrificed it to Rodin to become a work.
Her expulsion at the monastery, occasionally expressing hatred through mandatory monitoring of her diet to prevent poisoning, and often regurgitating her former fiery through vulnerable requests for Paul's visit.
But all of this is like the piece of mud that she clenched and slammed and slammed to the ground. The living self has been sacrificed, and the current self is nothing, but it is only a matter of time.
Every picture of Du Meng is either the golden section or the balance and symmetry, which is almost morbidly demanding. The long shots and quiet sadness make the whole film look like the depressing beauty that has been labeled Camille. The film can be said to be Juliette Binoche's one-man show in a certain sense, a powerful enough inner drama that makes people feel that through her performance, other characters can already be enriched, and there is absolutely no need to explain any key characters. Yeah, give Camille a soft spotlight in the final moments! Let her, who has already died once, be able to leave the scene quietly, at least not to hide in the darkness of others forever.
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