There are a few wonderful fighting scenes in the play that are worth mentioning. The first is the setting in the backstage of the Vienna Opera House. The entire duel between the agent killers is like an opera. The music score and game duel of "Turandot" are integrated into the rhythm point, which is more passionate. The most dazzling thing is the female protagonist’s bright yellow evening dress, black lace-up high heels, and her sexy beauty when she rests her arms on her arms and legs. Gu's new acting actress. The second is the high-speed rotating water-making cooling equipment, which not only has to hold your breath underwater, but also face the rotating water current. Brother Tom has a small humorous scene here. The appearance of chasing chip cards can not help but make people snicker, Brother Tang It's not so capable and perfect. Of course, I think it's more to highlight the beauty of the jump to save the hero. The third is the subsequent drag racing scene. A Tang brother took a few shots in person, really stimulating and wildly performing the locomotive chase. The masculine charm is displayed here, and it remains the same. Cool men will always receive all kinds of eye tricks. The favorite of the little girls with red hearts. The fourth wonderful passage was when the British Prime Minister was kidnapped. The British Prime Minister who had been treated with medicine became cute. Asking what to say can help Tang and the others prove that "this is the truth." The American humor here brings relaxation and humor to the entire plot, allowing people to take a breath in the tight-paced action scenes and prepare for another climax. The last one I think the ending design is very clever. After a fight scene with the male and female protagonists, the ultimate boss appeared. I thought there would be an ultimate PK, but the director just wanted to make you unexpected and used a big boss. The glass box caught him, and he used the same smoke and gas to fight back teeth. The accident was the most special ending.
There are too many Hollywood action dramas, how to shoot new ideas and highlights to meet the increasingly critical aesthetic requirements, the film circle is actually always looking for a breakthrough. I think making a drama seriously requires not only working hard on the script, but the clever combination of small details will also create different sparks. Big moves do not necessarily win over small details. This requires the director's taste in culture, the layout of the scene, and the presentation of the plot. Finally, I have to say that I love the heroine and share the same scene with Tang Ge's rivalry, even faster than Tang Ge's rhythm, looking forward to her more new plays!
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