Talk about the play itself. More than 1/3 of the time is at night. At night, people can't see clearly, not only the characters, but also me sitting in front of the screen. When they rolled down the slope with their feet in the air, and as they trembled and groped in the cave, I couldn't see which ones rolled down, nor could I see the cave environment on the screen. I think it should be because there is no professional lighting engineer. When there are too many dark parts, it gives people a feeling of depression and discomfort. There are not many scenes in this film (compared to the first part), and most of them are in the wet outdoor. It's also difficult for the crew and these actors. The water submerged the calf and dipped into the chest, and at the same time, it must be very uncomfortable to touch and roll in the mud.
Let's talk about roles. It doesn't cost much to come to this movie, just look at the skin tone of the actors. More than that, I'm more concerned about the character creation. It's not scary to have a shortcoming in the team, but the scary thing is that this shortcoming is still a chatter. Without this short black man, Jin wouldn't have died. He really traded a piece of silver for a piece of shit. In Part 1, it's a miracle that this black man and that Indian woman who can only call survive. As for the captain, only halfway through the film did he slowly show the true character of the male protagonist (sexy), and in the end the female protagonist held him, which was really a happy couple.
In the end, those boxes of seemingly high-tech equipment in the show are lost before they are opened, which can really save money. And the only thing that can be called a large prop is the broken ship. I really don't know whether to sigh about the poor Zhijian, the crew member, or the stingy investors?
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