Everyone in the previous film critics believed that there are countless parallel spaces in this film, but I think this film may be easier to explain if it is explained in four-dimensional space.
1. I assume that room ten is a room that exists in a four-dimensional space, and the room key is a special item, which can project this room in the four-dimensional space into the three-dimensional space where we are and keep the projected space stable, and all no The person who enters the room with the key will be trapped in the four-dimensional space when the door is closed. For example, the innkeeper was trapped in the four-dimensional space when she was about to die, so she kept repeating the near-death situation all the time. There was no peace at that moment, only the hotel key could bring her back to our three-dimensional space temporarily, and then cooperate with the comb and watch box to temporarily stabilize her and die in the three-dimensional space, and after confirming her death, she would no longer be trapped in the four-dimensional space. middle.
2. The personal brain hole of the owner of the item is like this. When entering this thinking space, the people in the hotel can realize some of their wishes, so I think the owner of the item married his lover in 1959 before, but it may be possible later. It was his lover who died, so he may have created a way to discover the four-dimensional space and tried to enter that space to salvage the death of his lover, but he didn't think that this desire turned him into an object, but he returned In 1961, he went to find his wife, only to be wiped out in order to prevent the grandfather paradox. Disappointed, the owner of the item tried to commit suicide but failed, and then in Conroy's experiment, he appeared in the room, hoping for a change or destruction with the world, but in the end he relented and helped close the door to end the experiment .
3. Conroy did that experiment. The experiment resulted in the cross tearing of the four-dimensional space and the three-dimensional space. There was a space-time crack or something. Conroy was directly torn and trapped in the four-dimensional space in a dying state.
4. Regarding the rich man Cruze, he wanted to revive his son, but his son did not leave the room and led her in, but the male protagonist came out with his daughter. I personally think that this issue is because although Cruze He wanted to resurrect his son, but he was actually very clear in his heart that his son was already dead, so his son appeared at the door of the room, but he couldn't come out, because this is all, the four-dimensional space will take Cruzer's thoughts , it was just projected, then according to his thoughts, he was convinced in his heart that his son was dead, had gone, and would not come back, so he could only see his son go away and walked into the room without hesitation. But the male protagonist always thought that his daughter was just trapped in a room. As long as he could find her, he would be able to bring her out, so he really brought her daughter out, but what he brought out was not the real thing. What about his daughter?
5. The fact that the male protagonist is not erased after he becomes the owner of the item is because he has not adjusted the timeline, so there is no need to erase his existence in order to avoid the grandfather paradox.
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