statement by yourself : the purpose of writing this spit is not to ask the director to have to surpass the theater and TV animations performed by Kenji Kamiyama and Mori Oshii, but to spit the director blindly threading beads and jade. The previous theater and TV animation settings were still poorly drawn.
You may not ask the live-action version to surpass the animated version, but this is definitely not a reason for a director or creative group not to make a movie well.
spoiler.
I have watched TV1, 2 and the two theatrical versions. SSS is watching. Arise chased a few episodes before entering the pit. I didn't understand the background and couldn't stand it. I heard that the feedback was very poor and I was not happy to make up. The comics have not had time to make up. I gave this film two and a half stars, because no matter how conscientious the art team is, it can't support this muddle-hearted plot. If it can barely be regarded as a mediocre work for passers-by, it is a negative score work for anyone who has seen anime or manga version with this title. There is no harm without comparison.
When I finished reading it, my heart didn't fluctuate and I even wanted to laugh. I was so angry that I wanted to laugh. It really complied with what my friend (passerby) said after watching the trailer, "This is so boring." I was still rejoicing that although some of the soundtracks were obviously based on the feeling of the puppet rumors, they were not the puppet rumors. As a result, the voice just came to the end of the movie, and the staff made a statement, and it was over. The director of the ball ball is really going to shoot the original, don't make up a fan to think that the audience can't see the good or the bad. Puppet rumor, I'm afraid you really don't deserve it.
From the beginning of the trailer, it seemed to be showing off "Look how we restored the theater version! Look how we pay tribute to the animation!" This kind of gimmick, but the lines in the trailer have already exposed the essence of the movie without the "core of the shell". In the end, it was true. The whole film paints the skin without drawing the bones, only learned that the shell is the leading skin in cyberpunk, without the connotation that cyberpunk should have. Who taught the script to write cyberpunk is the amnesia biochemical man who seeks his roots and then decides to be with human beings is called cyberpunk? ? ? Well, the biggest problem is not what you want to talk about biochemical robots. The most important thing is, who told you that the audience would buy this kind of obscure plot you wrote? ? ? Why are you embarrassed to borrow the IP of the shell to shoot? ? ?
It's like a "big hand" in the circle who writes OOC so that everyone can't stand it. He doesn't recognize the OOC of his own writing. You don’t want to write ball ball if you have seen the original work.
The director probably really liked the two theatrical releases, and he really watched it many times, so that almost except for the bad original character lines, the shadows of the theatrical releases and animations can be seen. You can make a list of the clips in the two theatrical editions. What is not involved is the director’s loss:
Suzi eavesdrops on the dialogue in various languages on the top of the building.
Undress and jump off the building.
The Kabuki robot hijacking incident, the first episode of the first season of TV.
The robot said to save me, don't kill me, "Not Guilty".
The ninth world is spiritually linked with countless "refugees" and deliberately uploads everyone's thoughts. Mozi hacked into the robot to connect with the IX and almost burned out.
The female researcher in the laboratory has prosthetic eyes that can be opened and smokes. It comes from the female researcher that Togusa and Bart met when investigating the girl robot in "Innocent". (The movie is voiced by Ryoko Sakurahara. I am deeply impressed because it is her.) The
garbage truck and the garbage truck driver whose memory has been tampered with. (The scene of interrogating the driver in the animation impressed me deeply. The worry that the memory of the mechanized person can be tampered with at will is created very well, and there is no feeling of interrogation in the movie)
Soko dive, Bart picks her up. (Then awkwardly talk...ball ball, don’t talk about it)
Bart keeps a dog.
Suzi said to trust Bart.
The head of the section said that the nine lessons are in a hurry, the first season of TV. (However, there is no more.) The
puppet master's revenge on the man who created him.
Suzi fights thinking about chariots. (Almost all battle scenes are the same as in the 95 theater version...) The
puppet master transmits his thoughts to Suzi.
Bart came to save Suzi who was seriously injured.
I won’t repeat the plots of other discomforts. However, the most criticized is... The Ninth World and the Puppet Master have become one. Since ancient times, people who do bad things have always been good-eyed and low-handed. Why bother to combine the ninth and the puppet master at the level of the director (Should I thank him for not making the smiley man also three in one??) . The ninth is the ninth, and the puppet master is the puppet master. It is necessary to mix and match a vengeful artificial robot with a good old friend. The meaning of existence in the ninth hero setting is to be a good old friend, right? ? ? (Your main creative may only poison the CP for only Jiu Su? And thank you for not filming the "Individual Eleven" stalk. It is wise not to shoot if you know that you are not good enough.) The
whole movie is probably the main creative after watching the attack. After Shell’s theatrical version and animation, he suddenly wanted to shoot a fan by himself, but his level was limited, and he could only disassemble the original plot and brainstorm, and finally came out a third-rate fan with no breakthrough and embarrassment. By the way, I have to give readers a warning "because we can't make up, so there are original passers-by characters, look at it awkwardly".
Spread your hands.
Everyone in Class Nine, Scarlett’s fixed-angle cast element was already desperate enough. Others have to be replaced by blacks and women inexplicably. This is really a Hollywood feature. The origin of Bart’s righteous eyes is unknown, but he only knows that it is the unique equipment of the guerrillas he used to serve. It has been changed to... Dogusa has nothing to shape, not even the strangeness of partnering with Bart in the 95 version. Give up creating this character at all (then why do you use this name, just change the name completely). Ishikawa is probably the black man with a beard. Saito sniped out for one second. Who are the rest of the people who do the task together? Original?
To put it harder, Scarlett’s character is really... ugly. Who is this person who is so unstable in his will and who is completely unhappy and quasi-relentless? ? ? Anyway, it's definitely not the mother orangutan that everyone knows. (Well, this is not Scarlett’s pot) I didn’t watch the rise. Who will answer? Is this the element in the rise? ? ? And, some of the flesh-colored optical camouflage suits in the trailer shoot off the wall, the actual effect is too mysterious... Scarlett itself is plump, but not "strong", the flesh-colored optical camouflage clothes directly make her appear more horizontally stretched. It is very embarrassing to make people look at it. In the end, it may be necessary for the plot. The walking posture is more mysterious. I personally think that this is the actor’s own understanding of the role when he is acting. However, the future technology of the world of the body set by the ghost has been developed. Who will tell you? How does the biochemical man of the whole body walk like this? ? ?
The original characters are too embarrassing. Where do wild capitalists say that they threaten Jiujia, and Jiujia is directly under the Prime Minister. The future society is really chaotic. Doctor who is also embarrassed. Suzi's mother is even more embarrassed (too embarrassing, mom is Asian, she was also Asian when she was arrested, but the biohumanization became Scarlett, which makes people confused).
From the beginning to the end, the core is probably Suzi's discovery of the meaning of his existence. The animation actually has this part of the content, but the film is really Hollywood-style. It doesn't even know how to insert the character setting of the ninth and the puppet master. what? Want to reflect on social issues? No. Want to reflect on the evolution of personality and soul from the AI that is often discussed in cyberpunk? It doesn't seem to be either.
It's completely the plot of Xuanji and Dongxitao animation, "Look, we can restore it!". In essence, I was too lazy to lie down and just write something to cheat the audience's money.
And 3d is so dark, it depends on 2d.
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