Soundtrack

Monique 2021-10-22 14:31:38

Watching this 2000 film with the current audiovisual habits is really too fancy. Even the most tense passages are outlined electronically, creating a sense of alienation from the outside, seemingly loose and actually quite catching. There was fat boy slim in the tattered bar, and the sense of the times of the big beat immediately came out. You can see several masters in the soundtrack created by Cliff Martinez. At the end, there was a feeling of waking up suddenly. The yellow and blue ones are really good.

The actor is too powerful, and I was surprised that Eric, who was on the 70s show, played this self-righteous poisonous boy before Chang Can, but he was not as good as the eagle-eyed look of Michael Douglas in the sun.

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Extended Reading
  • Elaina 2021-10-22 14:40:51

    It is also the narrative structure of the multi-threaded web, which seems loose but compact, tells a helpless fact and depicts a helpless world; this yellow and blue filter is really coquettish.

  • Angie 2021-10-22 14:40:51

    1. A model of filter use, the yellow and dim Mexico, the blue and cold world of drugs, Soderbergh used the lens to directly open the three main lines. 2. The ending is bright, not falling into the clichés. 3. It is a pity that Zeta Jones, such a conflicting role, can easily come out with a little energy.

Traffic quotes

  • Montel Gordon: [1:02:45] I lost my virginity with a sophomore in high school.

    Ray Castro: That's cool.

    Montel Gordon: Yeah, sweet.

    Ray Castro: Did he treat you good?

  • Caroline Wakefield: Fuck you. I wasn't doing anything. You're like the Gestapo.

    Robert Wakefield: Well, fuck you.