The film goes back to the French colony of Indochina in the 1920s, when the notorious British hunter Aidan McCrary kills a male tiger and his cubs in an operation to steal a Buddha statue, although the cub's mother has twice Tries to save her baby, but cruel fate separates the twin tiger brothers.
Gomo and Sanha, one shy and gentle, the other brave and fierce. After the separation, the fierce older brother Gomo was sold to the circus, where homesickness and life in a cage robbed Gomo of his spirit. The gentle younger brother Sanha was in a slightly better situation. He became the pet and playmate of the youngest son of the local French chief, Rao, and was later sent to be trained as a "fighter" to participate in competitions to please the dignitaries.
When the two tigers grow up, fate makes them meet again, but this time they are no longer brothers, but "enemies" who are also trapped in the Colosseum... Another familiar look, they recognize each other Finally, the two tigers escaped from the cage and returned to the jungle. Once again, McCrary played the role of a hunter and was commissioned to hunt down Gomo and Sanha, but when McCrary saw the strong brotherhood between the two tigers, he could no longer slaughter lives. End of the story: He left Gomo and Sanha to their destiny and nature, and turned away.
Male tigers are generally loners, but at the beginning of the film, the film presents a warm and happy scene of a family of four. The little tigers play games with the tiger's father's tail mischievously, and when humans invade their territory Shi Xionghu took on the duty of defending his home and country without looking back, and used his own body to lure away the enemy. When Tiger Brother Tiger Brother encountered danger, the timid brother climbed up the tree trunk and was in danger. Tiger Brother used majesty and bravery to scare off the enemy. The two little guys beat each other intimately, and their eyes were full of trust and dependence on each other. The tigress was unable to catch up with the car that transported the cub, and there was great helplessness in her eyes, and the cub's tearful cries were finally no match for the cruelty of human beings... Family affection inadvertently infected every audience.
Although the whole film is not as gray as the previous "Bear Tale" directed by director Jean-Jacques Arnault, it still suffers from seeing the cruelty of human beings. After watching the movie, I couldn't help letting go of everything and immediately walked in front of the baby and hugged it tightly in my arms. The little guy's innocent eyes made me feel so happy. He was like an angel that warmed my life and heart. I swear that no matter what the circumstances, I will never leave you, because you are my children.
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